
Part of Series
FORBIDDEN He was raised in the gilded lap of luxury: Etienne Martel, the magnificently virile Duc de Vec, notorious rake, expert sportsman —- and the most celebrated lover in all of Paris. But from the moment he saw the incomparable Daisy Black, he knew he would never desire another. FORBIDDEN She was born half a world away: Daisy Black, a proud Montana beauty, exotic and untamed —- and determined to fight for the rights of women in a land ruled by men. Yet the instant she felt the heat of de Vec's jungle-green gaze, she knew she was lost. Like some haunting promise of paradise he drew her in, fanning the flames of her desire until all she could think of was lying in his arms. FORBIDDEN Now caught up in a dance as old as time, Etienne and Daisy have eyes only for each other. But soon, they'll find their happiness threatened ... by a society rocked by their scandalous love ... by the woman Etienne calls wife.
Author

And it all began rather serendipitously. Long ago, as they say, in another time, when fast food hadn't reached our area and the only shopping was what the feed mill offered, I was reading a book that annoyed me . My husband was lying beside me in bed, watching TV. Turning to him, I sort of petulantly said, "How the hell did this book get published?" "If you think you're so smart," he replied, with one eye still on the TV, "why don't you write a book?" So I did. And very badly. I've since learned how to do, he said, she said, and a great variety of other adverb heavy, sometimes lengthy explanations of why my characters are saying what they're saying, along with finally coming to an understanding of what things like POV means. Point of View for you non-writers}. Although, I still don't fully comprehend why it matters if you switch POV and I cavalierly disregard it as much as possible. So while my technical skills have hopefully improved, what hasn't changed is my great joy in writing. There's as much pleasure today in listening to my characters talk while I type as fast as I can, as there was the first time I put dialogue to paper—in long-hand, then, in my leather bound sketch-book.