A vibrant cultural history investigating the tangled and complex history of pandemics and vaccines, by bestselling author and historian Simon Schama With the devastating effects of Covid-19 still rattling the foundations of our global civilization, we live in unprecedented times - or so we might think. But pandemics have been a constant presence throughout human history, as humans and disease have lived side by side for millennia. Over the centuries, our ability to react to these sweeping killers has evolved, most notably through the development of vaccines. The story of disease eradication, however, has never been one of simply science - it is political, cultural, and deeply personal. Ranging across continents and centuries, acclaimed historian Simon Schama unpacks the stories of the often-unknown individuals whose pioneering work changed the face of modern healthcare. Questioning why the occurrence of pandemics appears to be accelerating at an alarming rate, Schama looks into our impact on the natural world, and how that in turn is affecting us, all while interrogating how geopolitics has had a devastating effect on global health. Inspirational and tragic by turns, these are stories of success and failure, of collaboration and of persecution, as humanity struggles to work together in the face of one of our most deadly shared enemies: the pandemic.
Author
Simon Schama was born in 1945. The son of a textile merchant with Lithuanian and Turkish grandparents, he spent his early years in Leigh-on-Sea in Essex. When his parents moved to London he won a scholarship to Haberdashers’ Aske’s School where his two great loves were English and History. Forced to choose between the two he opted to read history at Christ’s College, Cambridge. Here he was taught by Sir John Plumb whose other students: Linda Colley, Roy Porter and John Brewer are now central to British historical thought. It was Plumb’s influence which instilled in him the importance of narrative and written style in order to gain an audience for history outside academia. One of the hallmarks of Schama’s work is his flair for description: ‘he gets arcane matters to walk, in fact dance, off the page’ according to fellow historian Peter Hennessy. However, his approach is contentious and invites criticism of subjectivity and populism from academic circles. Schama remained at Christ’s for 10 years after his degree, becoming a fellow and then director of Studies, before moving to Brasenose College Oxford. While at Oxford he wrote Patriots and Liberators: Revolution in the Netherlands 1780-1813 (1977), which won the Wolfson Literary Award, and Two Rothschilds and the Land of Israel (1979). At Oxford he met his wife, Ginny Papaioannou a geneticist from California. Tired of the Oxford system (he once described his experience as being ‘like a gerbil on a treadmill’) and enticed by the freedom of US Academic life, he moved to America in 1980, becoming Professor of History at Harvard. Here he wrote The Embarrassment of Riches: An Interpretation of Dutch Culture in the Golden Age (1987), Citizens: A Chronicle of the French Revolution (1989) and Dead Certainties (Unwarranted Speculations) (1991): an a unusual linking of the death of General Wolfe at Quebec in 1759 and the murder of a doctor, George Parkman, by a Harvard Professor in 1849. Citizens, which was written at lightening speed: 900 pages in only 18 months, won the 1990 NCR Book Award. However, Schama’s emphasis on the terror and violence of the revolution and his argument, that from its beginning it was a ‘sacrament of blood’, ensured it has never found a publisher in France. He is now professor in history and art history at Columbia where he has written Landscape and Memory (1996) which received the W H Smith Literary Award and Rembrandt’s Eyes (1999). The latter is a controversial reassessment of the artist which attempts to reinstate the notion of Rembrandt the genius, aiming to invoke the atmosphere as well as the historical context. In Schama’s view, as he tells David D’Arcy in Art Newspaper ‘There are some passages of sublime reinvention for which history has absolutely no answers…it seems to me pointless and trivial to pretend that it does.’ Simon Schama has also worked for the BBC on a 16 part series: ‘A History of Britain’ and has been an art critic and cultural essayist for The New Yorker and Talk magazine. He lives in New York with his wife and their two children Chloe and Gabriel.
