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Four Unpublished Novels book cover
Four Unpublished Novels
High-Opp, Angel's Fall, A Game of Authors, A Thorn in the Bush
1839
First Published
3.92
Average Rating
570
Number of Pages

Frank Herbert will forever be known as the “author of Dune,” the science fiction masterpiece that made his career and made his name. But he was an exceptionally diverse author who wrote in numerous genres. Even at the beginning of his writing career, Frank Herbert wrote whatever inspired him, irrespective of genre, market, or audience tastes. After the success of his first novel The Dragon in the Sea (1955), Herbert wrote numerous novels and short stories that failed to find a market. He persevered until finally, seven years later, he wrote the most unpublishable novel of all, Dune—which, once it finally found a home with an obscure publisher, finally made Frank Herbert a household name synonymous with science fiction. This volume collects four of those complete, never-before-published novels written before Dune: High-Opp, a dystopian science fiction novel; Angels’ Fall, a jungle survival adventure; A Game of Authors, a Cold War thriller; and A Thorn in the Bush, a mainstream novel based on some of Herbert’s experiences in Mexico.

Avg Rating
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Author

Frank Herbert
Frank Herbert
Author · 64 books
Frank Herbert (1920–1986) was an American novelist best known for the landmark science‑fiction epic Dune, a visionary saga that fused ecology, politics, religion, and power into a new literary architecture for the genre. Dune won the Hugo and Nebula Awards and spawned a cycle of sequels—Dune Messiah, Children of Dune, God Emperor of Dune, Heretics of Dune, and Chapterhouse: Dune—that deepened its philosophical reach while shaping modern world‑building and serialized storytelling. Beyond Dune, Herbert’s craft ranged from social SF like The Dosadi Experiment to ecological thrillers such as The Green Brain, each marked by rigorous systems thinking, layered prose, and moral ambiguity. His influence endures in the canon of speculative fiction: a writer who proved science fiction could be intellectually audacious, commercially vital, and artistically consequential.
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