Margins
Frantumaglia book cover
Frantumaglia
A Writer's Journey
2003
First Published
4.10
Average Rating
400
Number of Pages

In this collection of writings and responses gathered from over 30 years of correspondence, the reclusive Italian author addresses her unwavering decision to remain anonymous, her literary inspirations, Italian politics and culture, and the role of the writer (and the publisher) in modern society. Ferrante’s voice is as direct, penetrating, acute, inspiring, and intimate as it is in her acclaimed novels. This book invites readers into Elena Ferrante’s workshop. It offers a glimpse into the drawers of her writing desk, those drawers from which emerged her three early standalone novels and the four installments of My Brilliant Friend, known in English as the Neapolitan Quartet. Consisting of letters, essays, reflections, and interviews, it is a unique depiction of an author who embodies a consummate passion for writing. In these pages Ferrante answers many of her readers’ questions she addresses her choice to stand aside and let her books live autonomous lives. She discusses her thoughts and concerns as her novels are being adapted into films. She talks about the challenge of finding concise answers to interview questions. She explains the joys and the struggles of writing, the anguish of composing a story only to discover that that story isn’t good enough. She contemplates her relationship with psychoanalysis, with the cities she has lived in, with motherhood, with feminism, and with her childhood as a storehouse for memories, impressions, and fantasies. The result is a vibrant and intimate self-portrait of a writer at work.

Avg Rating
4.10
Number of Ratings
2,371
5 STARS
38%
4 STARS
40%
3 STARS
18%
2 STARS
4%
1 STARS
1%
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Author

Elena Ferrante
Elena Ferrante
Author · 17 books
Elena Ferrante is a pseudonymous Italian novelist. Ferrante's books, originally published in Italian, have been translated into many languages. Her four-book series of Neapolitan Novels are her most widely known works.
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