Ian Whates lives in a comfortable home down a quiet cul-de-sac in an idyllic Cambridgeshire village, which he shares with his partner Helen and their pets – Honey the golden cocker spaniel, Calvin the tailless black cat and Inky the goldfish (sadly, Binky died a few years ago). Ian’s earliest memories of science fiction are fragmented. He remembers loving Dr Who from an early age and other TV shows such as Lost in Space and Star Trek, but a defining moment came when he heard a radio adaptation of John Wyndham’s The Chrysalids. From that moment on he was hooked and became a frequent haunter of the local library, voraciously devouring the contents of their SF section. This early love of science fiction manifested most tellingly during his school days, when he produced an SF murder mystery as homework after being set the essay title “The Language of Shakespeare”, much to the bemusement of his English teacher. Ian’s first published stories appeared in the late 1980s in small press magazines such as Dream and New Moon Quarterly, after which he took a break from writing in order to research his chosen fields of science fiction and fantasy. In other words, he read copious amounts of both. Clearly the research was extensive, because he published nothing further for some seventeen years. In the early 2000s he made the decision to pursue writing seriously, joining the Northampton SF Writers Group in 2004 after being introduced to its chairman, Ian Watson. In 2006 he started submitting stories again, and has subsequently been surprised at how many otherwise eminently sensible people have chosen to publish him. A couple have even appeared in the science journal Nature, and one, “The Gift of Joy”, even found its way onto the five-strong shortlist for best short story in the British Science Fiction Association Awards. And it didn’t come last! Ironically, the award was actually won by Ken MacLeod’s “Lighting Out”, a piece Ian had commissioned, edited and published in the NewCon Press anthology disLOCATIONS (2007). In 2006 Ian launched independent publisher NewCon Press, quite by accident (buy him a pint sometime and he’ll tell you about it). Through NewCon he has been privileged to publish original stories from some of the biggest names in genre fiction, as well as provide debuts to some genuinely talented newcomers. The books, their covers and contents have racked up an impressive array of credits – four BSFA Awards, one BSF Award to date, inclusion in ‘Year’s Best’ anthologies and recommendations and honourable mentions from the likes of Gardner Dozios and Locus magazine. In addition to his publishing and writing, Ian is currently a director of both the Science Fiction Writers of America (SFWA) and the British Science Fiction Association (BSFA), editing Matrix, the online news and media reviews magazine, for the latter. His first two completed novels are both due to appear in early 2010: City of Dreams and Nightmare via Harper Collins’ imprint Angry Robot, and The Noise Within from Rebellion imprint Solaris, with sequels to follow. When not pinching himself to make sure this is all really happening, Ian is currently beavering away at the sequels… honest!

Mercedes entered this world on June 24, 1950, in Chicago, had a normal childhood and graduated from Purdue University in 1972. During the late 70's she worked as an artist's model and then went into the computer programming field, ending up with American Airlines in Tulsa, Oklahoma. In addition to her fantasy writing, she has written lyrics for and recorded nearly fifty songs for Firebird Arts & Music, a small recording company specializing in science fiction folk music. "I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' — they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not. "I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes. "I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde in Burning Water: "There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good—they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race." Also writes as Misty Lackey Author's website

George Raymond Richard "R.R." Martin, born on September 20, 1948, in Bayonne, New Jersey, is a distinguished fantasy and science fiction writer. Son to Raymond Collins Martin, a longshoreman, and Margaret Brady Martin, he grew up with two sisters, Darleen Martin Lapinski and Janet Martin Patten. Martin's passion for writing emerged early, selling monster stories to neighborhood kids, which later evolved into a keen interest in comic books during his high school years, where he also started writing fiction for comic fanzines. His first professional story, The Hero, was sold in 1970 at age 21 and published in Galaxy's February 1971 issue. After earning a B.S. and then a M.S. in Journalism from Northwestern University, Martin served as a conscientious objector with VISTA, tied to the Cook County Legal Assistance Foundation from 1972-1974, alongside directing chess tournaments and teaching journalism. His marriage to Gale Burnick in 1975 ended in divorce by 1979 without children. Martin transitioned to full-time writing in 1979, after a stint as writer-in-residence at Clarke College. In Hollywood, Martin contributed to Twilight Zone and Beauty and the Beast on CBS, later producing his own pilot, Doorways. Residing in Santa Fe, New Mexico, he's been actively involved with the Science Fiction & Fantasy Writers of America and the Writers' Guild of America, West.

Robert J. Sawyer is one of Canada's best known and most successful science fiction writers. He is the only Canadian (and one of only 7 writers in the world) to have won all three of the top international awards for science fiction: the 1995 Nebula Award for The Terminal Experiment, the 2003 Hugo Award for Hominids, and the 2006 John W. Campbell Memorial Award for Mindscan. Robert Sawyer grew up in Toronto, the son of two university professors. He credits two of his favourite shows from the late 1960s and early 1970s, Search and Star Trek, with teaching him some of the fundamentals of the science-fiction craft. Sawyer was obsessed with outer space from a young age, and he vividly remembers watching the televised Apollo missions. He claims to have watched the 1968 classic film 2001: A Space Odyssey 25 times. He began writing science fiction in a high school club, which he co-founded, NASFA (Northview Academy Association of Science Fiction Addicts). Sawyer graduated in 1982 from the Radio and Television Arts Program at Ryerson University, where he later worked as an instructor. Sawyer's first published book, Golden Fleece (1989), is an adaptation of short stories that had previously appeared in the science-fiction magazine Amazing Stories. This book won the Aurora Award for the best Canadian science-fiction novel in English. In the early 1990s Sawyer went on to publish his inventive Quintaglio Ascension trilogy, about a world of intelligent dinosaurs. His 1995 award winning The Terminal Experiment confirmed his place as a major international science-fiction writer. A prolific writer, Sawyer has published more than 10 novels, plus two trilogies. Reviewers praise Sawyer for his concise prose, which has been compared to that of the science-fiction master Isaac Asimov. Like many science fiction-writers, Sawyer welcomes the opportunities his chosen genre provides for exploring ideas. The first book of his Neanderthal Parallax trilogy, Hominids (2002), is set in a near-future society, in which a quantum computing experiment brings a Neanderthal scientist from a parallel Earth to ours. His 2006 Mindscan explores the possibility of transferring human consciousness into a mechanical body, and the ensuing ethical, legal, and societal ramifications. A passionate advocate for science fiction, Sawyer teaches creative writing and appears frequently in the media to discuss his genre. He prefers the label "philosophical fiction," and in no way sees himself as a predictor of the future. His mission statement for his writing is "To combine the intimately human with the grandly cosmic." http://us.macmillan.com/author/robert...

Gregory Benford is an American science fiction author and astrophysicist who is on the faculty of the Department of Physics and Astronomy at the University of California, Irvine. As a science fiction author, Benford is best known for the Galactic Center Saga novels, beginning with In the Ocean of Night (1977). This series postulates a galaxy in which sentient organic life is in constant warfare with sentient mechanical life.

Laurence van Cott Niven's best known work is Ringworld (Ringworld, #1) (1970), which received the Hugo, Locus, Ditmar, and Nebula awards. His work is primarily hard science fiction, using big science concepts and theoretical physics. The creation of thoroughly worked-out alien species, which are very different from humans both physically and mentally, is recognized as one of Niven's main strengths. Niven also often includes elements of detective fiction and adventure stories. His fantasy includes The Magic Goes Away series, which utilizes an exhaustible resource, called Mana, to make the magic a non-renewable resource. Niven created an alien species, the Kzin, which were featured in a series of twelve collection books, the Man-Kzin Wars. He co-authored a number of novels with Jerry Pournelle. In fact, much of his writing since the 1970s has been in collaboration, particularly with Pournelle, Steven Barnes, Brenda Cooper, or Edward M. Lerner. He briefly attended the California Institute of Technology and graduated with a Bachelor of Arts in mathematics (with a minor in psychology) from Washburn University, Topeka, Kansas, in 1962. He did a year of graduate work in mathematics at the University of California at Los Angeles. He has since lived in Los Angeles suburbs, including Chatsworth and Tarzana, as a full-time writer. He married Marilyn Joyce "Fuzzy Pink" Wisowaty, herself a well-known science fiction and Regency literature fan, on September 6, 1969. Niven won the Hugo Award for Best Short Story for Neutron Star in 1967. In 1972, for Inconstant Moon, and in 1975 for The Hole Man. In 1976, he won the Hugo Award for Best Novelette for The Borderland of Sol. Niven has written scripts for various science fiction television shows, including the original Land of the Lost series and Star Trek: The Animated Series, for which he adapted his early Kzin story The Soft Weapon. He adapted his story Inconstant Moon for an episode of the television series The Outer Limits in 1996. He has also written for the DC Comics character Green Lantern including in his stories hard science fiction concepts such as universal entropy and the redshift effect, which are unusual in comic books. http://us.macmillan.com/author/larryn...