Jack McDevitt is a former English teacher, naval officer, Philadelphia taxi driver, customs officer and motivational trainer. His work has been on the final ballot for the Nebula Awards for 12 of the past 13 years. His first novel, The Hercules Text, was published in the celebrated Ace Specials series and won the Philip K. Dick Special Award. In 1991, McDevitt won the first $10,000 UPC International Prize for his novella, "Ships in the Night." The Engines of God was a finalist for the Arthur C. Clarke Award, and his novella, "Time Travelers Never Die," was nominated for both the Hugo and the Nebula awards. McDevitt lives in Georgia with his wife, Maureen, where he plays chess, reads mysteries and eats lunch regularly with his cronies.

Alex Shvartsman is a writer, editor, and translator from Brooklyn, NY. He's the author of The Middling Affliction (2022) and Eridani's Crown (2019) fantasy novels. Kakistocracy, a sequel to The Middling Affliction, is forthcoming in 2023. Over 120 of his stories have been published in Analog, Nature, Strange Horizons, and many other venues. He won the 2014 WSFA Small Press Award for Short Fiction and was a two-time finalist (2015 and 2017) for the Canopus Award for Excellence in Interstellar Fiction. His collection, Explaining Cthulhu to Grandma and Other Stories and his steampunk humor novella H. G. Wells, Secret Agent were published in 2015. His second collection, The Golem of Deneb Seven and Other Stories followed in 2018. Alex is the editor of over a dozen anthologies, including the Unidentified Funny Objects annual anthology series of humorous SF/F.

Mercedes entered this world on June 24, 1950, in Chicago, had a normal childhood and graduated from Purdue University in 1972. During the late 70's she worked as an artist's model and then went into the computer programming field, ending up with American Airlines in Tulsa, Oklahoma. In addition to her fantasy writing, she has written lyrics for and recorded nearly fifty songs for Firebird Arts & Music, a small recording company specializing in science fiction folk music. "I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' — they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not. "I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes. "I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde in Burning Water: "There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good—they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race." Also writes as Misty Lackey Author's website

Leena Likitalo hails from Finland, the land of endless summer days and long, dark winter nights. She lives with her husband on an island at the outskirts of Helsinki, the capital. But regardless of her remote location, stories find their way to her and demand to be told. While growing up, Leena struggled to learn foreign languages. At sixteen, her father urged her to start reading in English, and thus she spent the next summer wading through his collection of fantasy and science fiction novels. Leena breaks computer games for a living. When she's not working, she writes obsessively. And when she's not writing, she can be found at the stables riding horses.

Robert J. Sawyer is one of Canada's best known and most successful science fiction writers. He is the only Canadian (and one of only 7 writers in the world) to have won all three of the top international awards for science fiction: the 1995 Nebula Award for The Terminal Experiment, the 2003 Hugo Award for Hominids, and the 2006 John W. Campbell Memorial Award for Mindscan. Robert Sawyer grew up in Toronto, the son of two university professors. He credits two of his favourite shows from the late 1960s and early 1970s, Search and Star Trek, with teaching him some of the fundamentals of the science-fiction craft. Sawyer was obsessed with outer space from a young age, and he vividly remembers watching the televised Apollo missions. He claims to have watched the 1968 classic film 2001: A Space Odyssey 25 times. He began writing science fiction in a high school club, which he co-founded, NASFA (Northview Academy Association of Science Fiction Addicts). Sawyer graduated in 1982 from the Radio and Television Arts Program at Ryerson University, where he later worked as an instructor. Sawyer's first published book, Golden Fleece (1989), is an adaptation of short stories that had previously appeared in the science-fiction magazine Amazing Stories. This book won the Aurora Award for the best Canadian science-fiction novel in English. In the early 1990s Sawyer went on to publish his inventive Quintaglio Ascension trilogy, about a world of intelligent dinosaurs. His 1995 award winning The Terminal Experiment confirmed his place as a major international science-fiction writer. A prolific writer, Sawyer has published more than 10 novels, plus two trilogies. Reviewers praise Sawyer for his concise prose, which has been compared to that of the science-fiction master Isaac Asimov. Like many science fiction-writers, Sawyer welcomes the opportunities his chosen genre provides for exploring ideas. The first book of his Neanderthal Parallax trilogy, Hominids (2002), is set in a near-future society, in which a quantum computing experiment brings a Neanderthal scientist from a parallel Earth to ours. His 2006 Mindscan explores the possibility of transferring human consciousness into a mechanical body, and the ensuing ethical, legal, and societal ramifications. A passionate advocate for science fiction, Sawyer teaches creative writing and appears frequently in the media to discuss his genre. He prefers the label "philosophical fiction," and in no way sees himself as a predictor of the future. His mission statement for his writing is "To combine the intimately human with the grandly cosmic." http://us.macmillan.com/author/robert...