When I am not writing, I toss tennis balls to my cadre of dogs. My house is filled with books and dogs, you can smell both when you walk in the front door. It's a good smell. I have 36 published novels and am currently writing in the mystery genre. My latest mystery, The Dead of Winter, was a finalist for the Claymore Award and is the first in the Piper Blackwell series. I live in a tiny town in the middle of Illinois that has a Dollar General, a pizza place with exceedingly slow service, a veterinarian (good thing, eh?), and train tracks...lots of train tracks.

Leigh Brackett was born on December 7, 1915 in Los Angeles, and raised near Santa Monica. Having spent her youth as an athletic tom-boy - playing volleyball and reading stories by Edgar Rice Burroughs and H Rider Haggard - she began writing fantastic adventures of her own. Several of these early efforts were read by Henry Kuttner, who critiqued her stories and introduced her to the SF personalities then living in California, including Robert Heinlein, Julius Schwartz, Jack Williamson, Edmond Hamilton - and another aspiring writer, Ray Bradbury. In 1944, based on the hard-boiled dialogue in her first novel, No Good From a Corpse, producer/director Howard Hawks hired Brackett to collaborate with William Faulkner on the screenplay of Raymond Chandler's The Big Sleep. Brackett maintained an on-again/off-again relationship with Hollywood for the remainder of her life. Between writing screenplays for such films as Rio Bravo, El Dorado, Hatari!, and The Long Goodbye, she produced novels such as the classic The Long Tomorrow (1955) and the Spur Award-winning Western, Follow the Free Wind (1963). Brackett married Edmond Hamilton on New Year's Eve in 1946, and the couple maintained homes in the high-desert of California and the rural farmland of Kinsman, Ohio. Just weeks before her death on March 17, 1978, she turned in the first draft screenplay for The Empire Strikes Back and the film was posthumously dedicated to her.

I was was born April 7, 1951, a month and day shared with Billie Holiday. Wrote my first song at 12, was published at 13, made a record at 14, had a hit at 15, and was a has-been at 16. I took a break for 3 years shortly thereafter, and moved to Philadelphia to write and find out if I really could be a great songwriter. "Came back" in 1973 with an album called Stars, and was fortunate enough to have a second career. I've been lucky enough to have ten Grammy nominations in eight different categories, and two Grammys - most recently for the spoken word edition of my autobiography, "Society's Child". I love writing - articles, speeches, stories, songs, books. I love reading. For years, my fans brought me used books on tour in lieu of flowers or jewelry. I'm 63 going on 64 and thinking about "retirement", trying to call it "transitioning" instead. Less time on the road, more time to write. If you want to reach me please email through the contacts page of my website (below). I don't check email on Goodreads very often! Thanks for reading. Janis

Ian Whates lives in a comfortable home down a quiet cul-de-sac in an idyllic Cambridgeshire village, which he shares with his partner Helen and their pets – Honey the golden cocker spaniel, Calvin the tailless black cat and Inky the goldfish (sadly, Binky died a few years ago). Ian’s earliest memories of science fiction are fragmented. He remembers loving Dr Who from an early age and other TV shows such as Lost in Space and Star Trek, but a defining moment came when he heard a radio adaptation of John Wyndham’s The Chrysalids. From that moment on he was hooked and became a frequent haunter of the local library, voraciously devouring the contents of their SF section. This early love of science fiction manifested most tellingly during his school days, when he produced an SF murder mystery as homework after being set the essay title “The Language of Shakespeare”, much to the bemusement of his English teacher. Ian’s first published stories appeared in the late 1980s in small press magazines such as Dream and New Moon Quarterly, after which he took a break from writing in order to research his chosen fields of science fiction and fantasy. In other words, he read copious amounts of both. Clearly the research was extensive, because he published nothing further for some seventeen years. In the early 2000s he made the decision to pursue writing seriously, joining the Northampton SF Writers Group in 2004 after being introduced to its chairman, Ian Watson. In 2006 he started submitting stories again, and has subsequently been surprised at how many otherwise eminently sensible people have chosen to publish him. A couple have even appeared in the science journal Nature, and one, “The Gift of Joy”, even found its way onto the five-strong shortlist for best short story in the British Science Fiction Association Awards. And it didn’t come last! Ironically, the award was actually won by Ken MacLeod’s “Lighting Out”, a piece Ian had commissioned, edited and published in the NewCon Press anthology disLOCATIONS (2007). In 2006 Ian launched independent publisher NewCon Press, quite by accident (buy him a pint sometime and he’ll tell you about it). Through NewCon he has been privileged to publish original stories from some of the biggest names in genre fiction, as well as provide debuts to some genuinely talented newcomers. The books, their covers and contents have racked up an impressive array of credits – four BSFA Awards, one BSF Award to date, inclusion in ‘Year’s Best’ anthologies and recommendations and honourable mentions from the likes of Gardner Dozios and Locus magazine. In addition to his publishing and writing, Ian is currently a director of both the Science Fiction Writers of America (SFWA) and the British Science Fiction Association (BSFA), editing Matrix, the online news and media reviews magazine, for the latter. His first two completed novels are both due to appear in early 2010: City of Dreams and Nightmare via Harper Collins’ imprint Angry Robot, and The Noise Within from Rebellion imprint Solaris, with sequels to follow. When not pinching himself to make sure this is all really happening, Ian is currently beavering away at the sequels… honest!