Ana García Bergua está incluida en la colección llamada Los Mejores Cuentos Mexicanos compilado por Joaquín Motriz. Es considerada “una de las escritoras jóvenes más interesantes de la literatura mexicana” (Gil). Contribuye a revistas y suplementos culturales. Estudia escenografía teatral, lo cual influencia sus novelas también. En una entrevista con Eve Gil, Ana García Bergua dijo, “Si no sé dónde están los personajes…no me puedo ‘trasladar’ a él y saber qué sucede, pues yo escribo un poco espiando, siguiendo a los personajes” (Gil). Según algunos críticos, su literatura incluye ideologías feministas, pero Ana García Bergua no ve su literatura como feminista. Escribe sobre los conflictos en las vidas de las mujeres. Ana García Bergua estudió Letras Francesas y teatro en la Universidad Nacional Autónoma de México (UNAM). En 1992, recibió una beca del Consejo Nacional para la Cultura y las Artes. Ana García Bergua viene de una familia con experiencia en la literatura. Su padre, Emilio García Riera, era un crítico de cine. Su hermano, Jordi García Bergua, era un escritor halagüeño. Alicia García Bergua, su hermana, es una poeta con varios títulos publicados. En 1994, ganó “la mención honorifica en el certamen internacional de primera novela ‘Ciudad de Santiago’ celebrado en Chile” (Otamendi). Desde 2001, García Bergua ha sido parte del Sistema Nacional de Creadores de Arte del Fondo Nacional para la Cultura y las Artes. En 2004, Ana García Bergua escribió su novela, Rosas Negras, después de la muerte de su padre.

James Raymond Daniels (born 1956 in Detroit, Michigan) is an American poet and writer. Like his father and many of his friends, Daniels worked for the Ford Motor Company before college. He earned his bachelor’s degree from Alma College in 1978 and a master’s degree from Bowling Green State University in 1980. In his writing, he addresses the issues of blue collar work, adolescence, and determining the role of a poet. The factories proved a setting for many of his poems, which describe the hardships factory workers face. Since 1981, Daniels has been on the faculty of the creative writing program at Carnegie Mellon University in Pittsburgh, Pennsylvania, where he is the Thomas Stockham Baker Professor of English. The majority of Daniels' papers can be found within the Special Collections department of Michigan State University's main library. Daniels' literary works have been recognized and highlighted at Michigan State University in their Michigan Writers Series. He won the inaugural Brittingham Prize in Poetry in 1985 from the University of Wisconsin–Madison.

Toby Olson (born 1937 Chicago) is an American novelist. Through high school and his four years in the Navy as a surgical technician, he lived in California, Arizona, and Texas. He graduated from Occidental College and Long Island University. Toby Olson has published eight novels, the most recent of which – The Blond Box – appeared from Fiction Collective-2 in 2003; and numerous books of poetry, including Human Nature (New Directions). A new novel, The Bitter Half, is forthcoming. The recipient of fellowships from the Guggenheim and Rockefeller foundations and the National Endowment for the Arts, Olson’s novel Seaview received the PEN/Faulkner award for The Most Distinguished Work of American Fiction in 1983. Toby Olson lives in Philadelphia and in North Truro, on Cape Cod.

Mark Budman is a first-generation immigrant to the US. An engineer by training, he currently works as a medical interpreter. His fiction has appeared in Catapult, Witness, World Literature Today, Mississippi Review, The London Magazine (UK), McSweeney’s, Painted Bride Quarterly, and elsewhere. He is the author of the novel “My Life at First Try,” published by Counterpoint, and co-editor of immigration-themed anthologies published by Ooligan Press, Persea, and University of Chester (UK). markbudman.com A trailer for his anthology "You have Time for This." http://www.youtube.com/watch?v=NBfOw1... *** Mark Budman’s "My Life at First Try," is smart and funny and compelling, and in an era when both the immigrant experience and the resurgent aggression of the once-Soviet Russia are central issues, the novel is timely, as well. This is a splendid debut by an important new American voice. Robert Olen Butler, a Pulitzer Prize winner, the author of "Intercourse" and "Severance" *** A review of "My Life at First Try" in Publishers Weekly. http://www.publishersweekly.com/artic...

I spent three years in Japan (1990-1993), as the first American and first woman to serve as visiting professor of English at Shizuoka University. This experience informed my first novel, American Fuji, which was a book club pick of the Honolulu Advertiser and a nominee for the Kiriyama Prize. Recently, I earned an MFA at Vermont College of Fine Arts in poetry. My chapbook, Bicycle Lotus, won the 2015 Turtle Island Poetry Award. A second chapbook, Scavenger Hunt, came out in 2018. My first full book of poetry, Such Luck, is my newest book. I teach freshman comp and a few other stray courses at the University of Massachusetts at Lowell, lead a reading group at a men's prison, and tramp around the woods in New Hampshire.

In addition to Scything Grace (Etruscan Press, 2013), Sean Thomas Dougherty is the author or editor of thirteen books across genres, including the forthcoming All I Ask for Is Longing: Poems 1994 – 2014 (BOA Editions, 2014) Sasha Sings the Laundry on the Line (BOA Editions, 2010), which was a finalist for Binghamton University Milton Kessler’s literary prize for the best book by a poet over 40, the prose-poem-novel The Blue City (2008 Marick Press/Wayne State University), and Broken Hallelujahs (BOA Editions, 2007). He is the recipient of two Pennsylvania Council for the Arts Fellowships in Poetry and a Fulbright Lectureship to the Balkans. His work has been read on PBS radio in Pittsburgh, Buffalo, Rochester and Cleveland. Known for his electrifying performances he has performed at hundreds of venues, universities and festivals across North America and Europe including the Lollapalooza Music Festival, the Detroit Art Festival, the South Carolina Literary Festival, the Old Dominion University Literary Festival, Carnegie Mellon University, The University of Maine, Sarah Lawrence College, SUNY Binghamton, the University of California Santa Cruz, the Rochester Symphony Orchestra, the Erie Jazz Festival, the London (UK) Poetry Cafe and the BardFest Series in Budapest Hungary, and across Albania and Macedonia where he was translated and published and appeared on national television, sponsored by the US State Department. He currently lives in Erie, Pennsylvania, with his family, where he works in a pool hall and writes his poems.

Rick Campbell was the director of Anhinga Press for twenty years and is the founding director of the Florida Literary Arts Coalition and its Other Words Conference. He teaches in the Sierra Nevada College low residency MFA program and also teaches English at Florida A&M University in Tallahassee, Florida. He has won a Pushcart prize, an NEA fellowship in poetry, and two poetry fellowships from the Florida Arts Council. Poems and essays have appeared in The Georgia Review, The Florida Review, Prairie Schooner, Fourth River, Kestrel, Puerto Del Sol, New Madrid and other journals. Librarian Note: There is more than one author with this name in the Goodreads database. For the Trident series author, see Rick Campbell.

at 13 i fell in love with a 15 year old girl, who sooned turned 16, & able to drive. i wrote long-hand love poems to her in notebooks, the most forceful act i cld do when not talking to her on the phone for many solid hours. i don't remeber how we ended, but at my first year of college in 1972 she was in an accident, her vett slipped under the back of a semi truck, decapitating her. poetry became energy. my highschool sweetheart kathy must have had hundreds of sappy loves poems written for her, & ultimately there's tragedy there too. i felt my being bend to forms of poetry, felt most comfortable with the likes of ez pound & charles olson & robert creeley & william carlos williams, but read various outshoots from w.s. merwin to ms. plath, to the beats, kerouac, to henry miller, buwoski, intrigued by language poets i.e., larry eigner, & the PROCESS, which i knew in my early 20's wld be a life-long process. a poet must live by his wit's, i remember creeley explaining in an interview, & my wits had me working in various factories for 35 years. still, thru all the decades, i wrote. i cldn't NOT write. it was NECESSARY. i had no control. wild years of drunken readings. & most of the details i cannot recall. these days, married to ann, who is also a writer, who fell in love with in the mountains of new hampshire 25 years from suddenly hearing her voice in my soon-be-lost house thru a long marriage into divorce & the rage of that, hell, but ann, my love, soul-mate moved up against lake erie & we married & aging without mercy, thanks the stars for the strike at the last factory, i'm out of that, into something different: weighed against 350 degree presses & fiberglass dust, all metals yell, & i sit in a partial cubicle now, headset on, keyboard under my finger & the computer screen. it isn't a job without stress, & it doesn't pay factory wages, & the hours change weekly; whatever, at age 54 i'm a poet. i've worked relentlessly. i never want to stop.