Margins
Garoto Linha Dura
1964
First Published
3.95
Average Rating
185
Number of Pages
O garoto linha dura, um dos inúmeros personagens criados por Stanislaw, transforma as 55 crônicas do livro em um retrato da sociedade dos anos 60, com aspectos atualíssimos. O autor transforma temas do dia a dia - como doenças, minorias sexuais, mulheres sedutoras, férias etc - em alta literatura. Com o talento de sua pena, repressão vira humor, ao criticar um sistema que começava a instalar a censura. Jaguar foi seu maior cúmplice e também ilustrador do livro. Com Garoto linha dura, a Agir dá continuidade à publicação integral destes autores impagáveis, Stanislaw Ponte Preta e Sérgio Porto. Não necessariamente nessa ordem.
Avg Rating
3.95
Number of Ratings
20
5 STARS
30%
4 STARS
35%
3 STARS
35%
2 STARS
0%
1 STARS
0%
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Author

Stanislaw Ponte Preta
Stanislaw Ponte Preta
Author · 6 books

Sérgio Marcus Rangel Porto (January 11, 1923 in Rio de Janeiro – September 30, 1968) was a Brazilian columnist, writer, broadcaster and composer. He was better known by his pen name Stanislaw Ponte Preta.[1] Sergio began his journalistic career in the late 1940s, working in publications such as Sombra and Manchete magazines and newspapers Ultima Hora, Tribuna da Imprensa and Diário Carioca. In the same period Tomás Santa Rosa also acted in several newspapers and newsletters as an illustrator. It was then that the character Stanislaw Ponte Preta and his satirical and critical chronicles was born, a creation of Sergio along with Santa Rosa - the character's first illustrator - inspired by the character Serafim Ponte Grande by Oswald de Andrade. Porto has also contributed to music publications and wrote musical shows for nightclubs, as well as composing the song "Samba do Crioulo Doido" for revue theater. He was also the creator and producer of the beauty pageant's As Certinhas do Lalau, which featured vedettes such as Anilza Leoni, Diana Morel, Rose Rondelli, Maria Pompeo,and Irma Alvarez, and of the FEBEAPÁ - Festival de Besteira que Assola o País (Festival of Nonsense which Sweeps the Country),a news satire column where he made corrosive jokes against the military dictatorship, and the social moralism of his time.[2][3] Porto died in 1968, before the dictatorship's Institutional Act n°5, that established censorship in the Brazilian press.

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