This volume contains 24 of Bierce's best tales of the unknown. Morbid, cynical, eerie, they take you to a twilight region of flesh and spirit—and into the darkest recesses of the human mind. These are unusual constructions of terror and grim irony, reminiscent of Poe, the Gothic novel, and the Romantic short story, but having the unmistakable individual stamp of a man who knew first-hand something of the fears and specters which haunt men. In this volume you will come across a number of old favorites: "An Inhabitant of Carcosa," "The Eyes of the Panther," "The Death of Halpin Frayser," "An Adventure at Brownville," and such classics as "The Middle Toe of the Right Foot," "The Damned Thing," and "Moonlit Road," a minor masterpiece in which events of the story are told from three different points of view, including that of the victim as spoken through a medium. You will also find some less familiar, but equally fascinating stories and pieces not available elsewhere, including "Visions of the Night," in which Bierce gives us a rationale for his "reverse holiness" and the surrealistic morality that permeates these writings. Bierce's characters—possessed poets, shabby aristocrats, grimy professional men, revived corpses, haunted malefactors—live in a spare, perverse world. Patricide, the revenge of the dead, inexplicable disappearances, dreadful ironies, hypnotism and second sight, and the like, form much of the substance of these unsettling tales.
Author
Ambrose Gwinnett Bierce (1842-1914) was an American editorialist, journalist, short story writer, fabulist and satirist. Today, he is best known for his short story, An Occurrence at Owl Creek Bridge and his satirical lexicon, The Devil's Dictionary. The sardonic view of human nature that informed his work – along with his vehemence as a critic, with his motto "nothing matters" – earned him the nickname "Bitter Bierce." Despite his reputation as a searing critic, however, Bierce was known to encourage younger writers, including poet George Sterling and fiction writer W. C. Morrow. Bierce employed a distinctive style of writing, especially in his stories. This style often embraces an abrupt beginning, dark imagery, vague references to time, limited descriptions, the theme of war, and impossible events. Bierce disappeared in December 1913 at the age of 71. He is believed to have traveled to Mexico to gain a firsthand perspective on that country's ongoing revolution. Despite an abundance of theories, Bierce's ultimate fate remains a mystery. He wrote in one of his final letters: "Good-bye. If you hear of my being stood up against a Mexican stone wall and shot to rags, please know that I think it is a pretty good way to depart this life. It beats old age, disease, or falling down the cellar stairs. To be a Gringo in Mexico—ah, that is euthanasia!"
