Margins
Gift from Papa Diego book cover
Gift from Papa Diego
1998
First Published
3.82
Average Rating
40
Number of Pages

Sensitively told and true to the experience of many Mexican Americans, this bilingual picture book bridges the borders that separate all families who must live far apart from their loved ones.- Booklist "...accompanied by innovative illustrations, originally modeled with clay. Reminiscent of Mexican folk art, they fit the story especially well, conveying its warmth and poignancy."- Kirkus Reviews "A tender love story of a book...a kiss on the forehead at bedtime!"—Naomi Shihab Nye "A stylist in both poetry and prose, Saenz has now taken his magic of flight to younger readers. This is his gift to them. Parents, snuggle up to your children at night and read this delightful tale of Dieguito."-Gary Soto "La traduccion al espanol es buena y el diseno del libro es atractivo."- People en Espanol "The tender story in A Gift From Papa Diego / Un regalo de Papa Diego by Benjamin Alire Saenz is sprinkled with Spanish expressions throughout the English version, adding to the flavor of this bilingual tale. A glossary of the terms used is provided at the end of the book. In addition, a complete Spanish text is printed on each half page. Illustrations of wonderful clay figures painted with bright colors highlight the narrative and provide an attractive graphic border. This paperback original is a debut into the world of children's books for Mr. Saenz, and he has succeeded in writing a poignant read-aloud book for young children - at once entertaining and comforting."- Barbara Bonds Thomas Benjamin Alire Saenz was born in his grandmother's house in Picacho, New Mexico-a farming village 40 miles north of the border between Mexico and the United States. Ben's parents spoke mostly Spanish at home and his grandparents spoke only Spanish, so Ben learned much of his English from his brothers and sisters, his friends, and by watching cartoons on television. When he was a little boy, he was a passionate reader of comic books-Superman, Spiderman, Batman, and all the rest of the Super Heros. Ben thought it was cool that Superman could fly. Growing up, Ben discovered that he liked to write. He liked to draw and paint, too. He decided that he wanted

Avg Rating
3.82
Number of Ratings
56
5 STARS
36%
4 STARS
27%
3 STARS
27%
2 STARS
5%
1 STARS
5%
goodreads

Author

Benjamin Alire Sáenz
Benjamin Alire Sáenz
Author · 21 books

Benjamin Alire Sáenz (born 16 August 1954) is an award-winning American poet, novelist and writer of children's books. He was born at Old Picacho, New Mexico, the fourth of seven children, and was raised on a small farm near Mesilla, New Mexico. He graduated from Las Cruces High School in 1972. That fall, he entered St. Thomas Seminary in Denver, Colorado where he received a B.A. degree in Humanities and Philosophy in 1977. He studied Theology at the University of Louvain in Leuven, Belgium from 1977 to 1981. He was a priest for a few years in El Paso, Texas before leaving the order. In 1985, he returned to school, and studied English and Creative Writing at the University of Texas at El Paso where he earned an M.A. degree in Creative Writing. He then spent a year at the University of Iowa as a PhD student in American Literature. A year later, he was awarded a Wallace E. Stegner fellowship. While at Stanford University under the guidance of Denise Levertov, he completed his first book of poems, Calendar of Dust, which won an American Book Award in 1992. He entered the Ph.D. program at Stanford and continued his studies for two more years. Before completing his Ph.D., he moved back to the border and began teaching at the University of Texas at El Paso in the bilingual MFA program. His first novel, Carry Me Like Water was a saga that brought together the Victorian novel and the Latin American tradition of magic realism and received much critical attention. In The Book of What Remains (Copper Canyon Press, 2010), his fifth book of poems, he writes to the core truth of life's ever-shifting memories. Set along the Mexican border, the contrast between the desert's austere beauty and the brutality of border politics mirrors humanity's capacity for both generosity and cruelty. In 2005, he curated a show of photographs by Julian Cardona. He continues to teach in the Creative Writing Department at the University of Texas at El Paso.

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