Margins
Goldenrod book cover
Goldenrod
Poems
2021
First Published
3.93
Average Rating
125
Number of Pages

From the award-winning poet and bestselling author of Keep Moving and Good Bones, a stunning poetry collection that celebrates the beauty and messiness of life. With her breakout bestseller Keep Moving, Maggie Smith captured the nation with her “meditations on kindness and hope” (NPR). Now, with Goldenrod, the award-winning poet returns with a powerful collection of poems that look at parenthood, solitude, love, and memory. Pulling objects from everyday life—a hallway mirror, a rock found in her son’s pocket, a field of goldenrods at the side of the road—she reveals the magic of the present moment. Only Maggie Smith could turn an autocorrect mistake into a line of poetry, musing that her phone “doesn’t observe / the high holidays, autocorrecting / shana tova to shaman tobacco, / Rosh Hashanah to rose has hands.”​

Avg Rating
3.93
Number of Ratings
4,999
5 STARS
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4 STARS
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3 STARS
23%
2 STARS
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1 STARS
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Author

Maggie Smith
Maggie Smith
Author · 11 books

Maggie Smith is the author of the national bestseller Keep Moving: Notes on Loss, Creativity, and Change (One Signal/Simon & Schuster 2020); Good Bones (Tupelo Press, 2017); The Well Speaks of Its Own Poison (Tupelo Press 2015), winner of the Dorset Prize, selected by Kimiko Hahn; and Lamp of the Body (Red Hen Press 2005), winner of the Benjamin Saltman Poetry Award; and three prizewinning chapbooks. Smith's poems and essays have appeared in the New York Times, The New Yorker, Poetry, Image, The Best American Poetry, The Paris Review, AGNI, Guernica, Brevity, the Washington Post, The Gettysburg Review, Ploughshares, and many other journals and anthologies. In 2016 her poem “Good Bones” went viral internationally and has been translated into nearly a dozen languages. In April 2017 the poem was featured on the CBS primetime drama Madam Secretary. A 2011 National Endowment for the Arts Fellow, Maggie Smith works as freelance writer and editor. She is an Editor at Large at the Kenyon Review and is also on the faculty of Spalding University's low-residency MFA program.

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