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Gon, the Little Fox book cover
Gon, the Little Fox
1932
First Published
3.84
Average Rating
46
Number of Pages

Winner of: 2016 USSB Outstanding International Book In this retelling of Nankichi Niimi’s masterpiece, delicate watercolors bring to life the mischievous yet kind-hearted spirit of Gon, the Little Fox. Readers should proceed with caution as they begin this tale, however, especially as Gon is sure to win over their hearts. Like many Japanese folktales, Gon, The Little Fox does not exactly end happily; a circumstance which will inspire lively and provocative conversation among young readers. When readers first meet Gon, he is relishing his life as a rascally fox. Each day brings a new opportunity for him to stir up trouble in Nakayama. One day, however, he feels remorse for having killed an eel that was meant for the poor villager Hyoju’s dying mother. Ironically, it is this rare moment of conscience that leads Gon down a path that leads to his fate. As with all great folktales, the world of Gon, The Little Fox is both extremely familiar and extremely mysterious. This quality, as evident in both the text and illustrations, will greatly appeal to readers, both young and old.

Avg Rating
3.84
Number of Ratings
214
5 STARS
25%
4 STARS
40%
3 STARS
29%
2 STARS
6%
1 STARS
0%
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Author

Nankichi Niimi
Nankichi Niimi
Author · 2 books

Niimi was born in Yanabe, in the city of Handa, Aichi prefecture, on July 30, 1913. He lost his mother when he was four years old. His literary skill was noticeable at an early age. During his elementary school graduation ceremony, he presented a haiku that impressed most people at the ceremony. At age 18, Niimi moved to Tokyo to enter the Tokyo University of Foreign Studies. He fell sick with tuberculosis while in Tokyo shortly after graduating, and returned to his hometown. He worked there, first as an elementary school teacher, then as a women's high school teacher. He died at age 29. Although not prolific, he shows great talent in all of his writings. His works are known for their accuracy and lively depictions of humans. He is also often compared to Kenji Miyazawa. There is a Niimi Nankichi Memorial Museum in his birthplace, Handa.

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