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Good Children of the Flower book cover
Good Children of the Flower
2009
First Published
3.60
Average Rating
377
Number of Pages
Decades after successful Chinese writer Hong Ying escaped the slums of her childhood, she discovers that time and distance cannot protect her from the past. When word of her mother’s imminent death reaches Hong Ying in London, she races home to Chongqing only to find she’s too late. While she tries to come to terms with her estranged mother’s passing, she must navigate her family’s delicate social structure—and their long-held silence. Soon Hong Ying starts to ask unwelcome questions, and as old secrets are exposed, she must face not only what is revealed but also her own choices in love and marriage during the many years of her absence. In this bittersweet memoir, internationally bestselling author Hong Ying explores trauma, forgiveness, and truth—and attempts to reconcile her painful memories with the beautiful life she hopes to create.
Avg Rating
3.60
Number of Ratings
122
5 STARS
27%
4 STARS
26%
3 STARS
30%
2 STARS
14%
1 STARS
3%
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Author

Hong Ying
Hong Ying
Author · 7 books

Hong Ying was born in Chongqing in 1962, towards the end of the Great Leap Forward. She began to write at eighteen, leaving home shortly afterwards to spend the next ten years moving around China, exploring her voice as a writer via poems and short stories. After brief periods of study at the Lu Xun Academy in Beijing and Shanghai’s Fudan University, Hong Ying moved to London in 1991 where she as writer. She returned to Beijing in 2000. Best known in English for the novels K: the Art of Love, Summer of Betrayal, Peacock Cries, and her autobiography Daughter of the River, Hong Ying has been published in twenty- nineteen languages and has appeared on the bestseller lists of numerous countries, she won the Prize of Rome for K: the Art of Love in 2005 and many of her books have been or are now in the process of being turned into television series and films. Hong Ying has long been interested in the stories of homosexuals living in China, a theme explored here and in her short story collection, A Lipstick Called Red Pepper: Fiction About Gay and Lesbian Love in China 1993-1998. In her work, she likes to focus on human stories, hardship and history. Her responsibility as a writer, she believes, is in part to explore the lives of marginalised groups struggling for visibility – and for compassion – in contemporary China. Chinese Profile: 虹影

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