In its first modern translation, a novel-cum-memoir of a Frenchman’s erotic awakening in Italy by a preeminent writer of the Romantic period In 1812 Alphonse de Lamartine, a young man of means, traveled through southern Italy, where, during a sojourn in Naples, he fell in love with a young woman who worked in a cigar factory—and whose death after he returned to France would haunt him throughout his writing life. Graziella, Lamartine called this lost girl in his poetry and memoirs—and also in Graziella, a novel that closely follows the story of his own romance. “When I was eighteen,” the narrator begins, as if penning his memoir, “my family entrusted me to the care of a relative whose business affairs called her to Tuscany.” The tale that unfolds, of the young man’s amorous experiences amid the natural grandeur and subtle splendors of the Italian countryside, is one of the finest works of fiction in the French Romantic tradition, a bildungsroman that is also a melancholy portrait of the artist as a young man discovering the muse who would both inspire and elude him. Remarkable for its contemplative prose, its dreamy passions and seductive drawing of the Italian landscape, and its place in the Romantic canon, Graziella is a timeless portrait of love, chronicling the remorse and the misguided ideals of youth that find their expression, if not their amends, in art.
Author
Lamartine (1790-1869) was a French writer, poet and politician who was instrumental in the foundation of the Second Republic and the continuation of the Tricolore as the flag of France. Lamartine made his entrance into the field of poetry by a masterpiece, Les Méditations Poétiques (1820), and awoke to find himself famous. He was made a Chevalier of the Legion of Honour in 1825. He worked for the French embassy in Italy from 1825 to 1828. In 1829, he was elected a member of the Académie française. He was elected a deputy in 1833. In 1835 he published the "Voyage en Orient", a brilliant and bold account of the journey he had just made, in royal luxury, to the countries of the Orient, and in the course of which he had lost his only daughter. From then on he confined himself to prose. He published volumes on the most varied subjects (history, criticism, personal confidences, literary conversations) especially during the Empire, when, having retired to private life and having become the prey of his creditors, he condemned himself to what he calls "literary hard-labor in order to exist and pay his debts". Lamartine ended his life in poverty, publishing monthly installments of the Cours familier de littérature to support himself. He died in Paris in 1869. Nobel prize winner Frédéric Mistral's fame was in part due to the praise of Alphonse de Lamartine in the fortieth edition of his periodical Cours familier de littérature, following the publication of Mistral's long poem Mirèio. Mistral is the most revered writer in modern Occitan literature. Lamartine is considered to be the first French romantic poet (though Charles-Julien Lioult de Chênedollé was working on similar innovations at the same time), and was acknowledged by Paul Verlaine and the Symbolists as an important influence.
