Margins
Griffith Review 42 book cover
Griffith Review 42
2013
First Published
4.19
Average Rating
322
Number of Pages

Part of Series

Once upon a time—and the story begins. Fairy tales endure because their messages still speak as strongly and clearly to people today as they ever did—hidden within the metaphoric codes of princes, witches, curses and towers, insurmountable tasks, elaborate tests and exaggerated trials. We all have the same dragons in our psyche, as Ursula K Le Guin once said. Fairy tales tell us it is possible to face these dragons, these ogres of our darkest imaginings, and triumph over them. Australia is a story as well as a place. The Aboriginal place was telling itself for at least those sixty-thousand years, while outside Australia existed only in the imaginations of people in the northern hemisphere, a Great South Land below the equator. The shocking, defining moment in 1788 when the First Fleet landed fractured the backbone of the story, and set off a whole galaxy of further plots and subplots that continue to play out. Wherever people go they carry their personal and cultural stories with them. We have inherited the stories of Europe, the tales of the brothers Grimm and the Bible that came in the memories and books of settlers over the past two hundred years, and we are increasingly integrating the stories of other cultures and civilisations in this region. In Once Upon a Time in Oz, Griffith REVIEW holds up an enchanted mirror to explore the role of fairy and folk tales across cultures in this country, and creates new ones. For many, coming to Australia meant leaving centuries of fairy tales, myths and legends behind and falling painfully onto the hard and naked ground. How did immigrants re-weave a cushion of stories encompassing the new narratives of place? What are the tales that preoccupy, entertain and guide the culture today in the land of Oz? How did they make their way here? What has happened to them over time? Once Upon a Time in Oz presents new stories by renowned writers including Cate Kennedy, Arnold Zable, Ali Alizadeh, Tony Birch, Marion Halligan, Margo Lanagan and Bruce Pascoe. Other writers including Kate Forsyth, Michelle Law, Jane Sullivan, Lucy Sussex and John Bryson examine through essay and memoir some of the mysteries of storytelling. And David Rowe takes us Down the Abbott Hole in a cartoon essay. Once Upon a Time in Oz features Carmel Bird as contributing editor.

Avg Rating
4.19
Number of Ratings
16
5 STARS
31%
4 STARS
56%
3 STARS
13%
2 STARS
0%
1 STARS
0%
goodreads

Author

Julianne Schultz
Author · 15 books
JULIANNE SCHULTZ is the founding editor of Griffith REVIEW. She is on the boards of the Australian Broadcasting Corporation and Grattan Institute. She is the Chair of the Queensland Design Council and the reference group on the National Cultural Policy, deputy chair of the Australian Council of Learned Academies Securing Australia’s Future project and on advisory committees with a focus on education, media and Indigenous issues. Since co-chairing the Creative Australia stream at the 2020 Summit she has been actively involved in cultural policy debates. She has been a judge of the Miles Franklin Award, Myer Foundation Fellowships and Walkley Awards. She is the author of Reviving the Fourth Estate: Democracy, accountability and the media (Cambridge University Press, 1998), Steel City Blues (Penguin, 1985) and the librettos Black River and Going into Shadows.
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