Margins
Grim Death and Bill the Electrocuted Criminal book cover
Grim Death and Bill the Electrocuted Criminal
2017
First Published
3.60
Average Rating
272
Number of Pages

An uneasiness festers upon the city streets, threatening the peace and safety of law-abiding citizens. A war is escalating, and it seems as though the good and righteous are being crushed beneath the unholy weight of evil’s onslaught. Organized crime is spreading in an unchecked reign of terror. Until a mysterious agent of retribution rises up from the shadows to challenge the villains. A lone figure, clad in a slouch hat and clothes seemingly stitched from the blackest shadows, masked in the guise of a skull-faced death―a Grim Death―emerges with guns blazing. With him, a wronged ex-con clad in the striped costume of his misfortune―Bill the Electrocuted Criminal. In this beautifully illustrated 1930s-pulp-style novel, two dark new characters by Thomas E. Sniegoski and Mike Mignola take to the street to fight the growing infection of organized crime. Grim Death and Bill the Electrocuted Criminal are not your average heroes, but they want justice.

Avg Rating
3.60
Number of Ratings
339
5 STARS
17%
4 STARS
40%
3 STARS
32%
2 STARS
10%
1 STARS
1%
goodreads

Authors

Mike Mignola
Mike Mignola
Author · 294 books

Mike Mignola was born September 16, 1960 in Berkeley, California and grew up in nearby Oakland. His fascination with ghosts and monsters began at an early age (he doesn't remember why) and reading Dracula at age 13 introduced him to Victorian literature and folklore from which he has never recovered. In 1982, hoping to find a way to draw monsters for a living, he moved to New York City and began working for Marvel Comics, first as a (very terrible) inker and then as an artist on comics like Rocket Raccoon, Alpha Flight and The Hulk. By the late 80s he had begun to develop his signature style (thin lines, clunky shapes and lots of black) and moved onto higher profile commercial projects like Cosmic Odyssey (1988) and Gotham by Gaslight (1989) for DC Comics, and the not-so-commercial Fafhrd and the Grey Mouser (1990) for Marvel. In 1992, he drew the comic book adaptation of the film Bram Stoker's Dracula for Topps Comics. In 1993, Mike moved to Dark Horse comics and created Hellboy, a half-demon occult detective who may or may not be the Beast of the Apocalypse. While the first story line (Seed of Destruction, 1994) was co-written by John Byrne, Mike has continued writing the series himself. There are, at this moment, 13 Hellboy graphic novel collections (with more on the way), several spin-off titles (B.P.R.D., Lobster Johnson, Abe Sapien and Witchfinder), three anthologies of prose stories, several novels, two animated films and two live-action films staring Ron Perlman. Hellboy has earned numerous comic industry awards and is published in a great many countries. Mike also created the award-winning comic book The Amazing Screw-on Head and has co-written two novels (Baltimore, or, the Steadfast Tin Soldier and the Vampire and Joe Golem and the Drowning City) with best-selling author Christopher Golden. Mike worked (very briefly) with Francis Ford Coppola on his film Bram Stoker's Dracula (1992), was a production designer on the Disney film Atlantis: The Lost Empire (2001) and was visual consultant to director Guillermo del Toro on Blade II (2002), Hellboy (2004) and Hellboy II: The Golden Army (2008). He lives somewhere in Southern California with his wife, daughter, a lot of books and a cat.

548 Market St PMB 65688, San Francisco California 94104-5401 USA
© 2025 Paratext Inc. All rights reserved