Halfblood Chronicles

Series · 3 books · 1991-2002

By Mercedes Lackey, Andre Norton

Books in series

The Elvenbane

1991

Two masters of epic fantasy have combined in this brilliant collaboration to create a rousing tale of the sort that becomes an instant favorite. This is the story of Shana, a halfbreed born of the forbidden union of an Elvenlord father and a human mother. Her exiled mother dead, she was rescued and raised by dragons, a proud, ancient race who existed unbeknownst to elven or humankind. From birth, Shana was the embodiment of the Prophecy that the all-powerful Elvenlords feared. Her destiny is the enthralling adventure of a lifetime.

Elvenblood

1995

The powerful magic of ruthless Elvenlord masters has for centuries rules the world. Even Shana, the legendary Elvenbane prophesied to deliver the oppressed into freedom, is helpless before such power. She and her ragtag band of outcasts, half-blood wizards, escaped human slaves, and free-thinking dragons have gained only a token victory against the mighty lords. Only the long-forgotten Iron People, a band of human nomads, have escaped the tyranny of the reigning wizards. How have they survived through the centuries? As the winds of change sweep the world, and as tensions seething beneath the surface of Elven society threaten to break into open revolt. Shana meets the ancient tribe. Could an age-old secret free Shana and her people...or will its discovery call down their doom.

Elvenborn

2002

In this long-awaited new novel in The Halfblood Chronicles, fantasy greats Norton and Lackey tell the enthralling story of the reclusive elvenlord Kyrtian, who emerges as a hero in a world torn by politics and war. When his cousin, Aelmarkin, tries to prove that Kyrtian is unfit to run his estate, the plan backfires, and soon Kyrtian, who doesn't share the venal, greedy nature of his cousin, finds himself with more power than he ever wanted. Like his father before him, Kyrtian has always treated the humans on his estate like servants, instead of enslaving them as other elvenlords do. His father's legacy also leads Kyrtian to learn ancient military skills long since lost to elvenkind through the carelessness of the elvenlords. Kyrtian's rediscovered knowledge piques the interest of the current elvenlords, and soon Kyrtian finds himself appointed the new commander of the army, to the relief of his ruling peers. For the sons of the most powerful elvenlords, the Young Lords, have rebelled against their fathers and are waging war. But by taking advantage of both the privileges of his new command and the help of some unexpected new friends, Kyrtian finally gains the resources to embark on his own, personal quest—resuming his father's search for the Great Portal, the magical doorway through which the original elvenlords entered this world. As war rages between some sons and fathers, Kyrtian searches desperately for his own lost father, hoping to uncover not only the mystery of his disappearance, but also the secret behind the origin of elvenkind.

Authors

Mercedes Lackey

Author · 215 books

Mercedes entered this world on June 24, 1950, in Chicago, had a normal childhood and graduated from Purdue University in 1972. During the late 70's she worked as an artist's model and then went into the computer programming field, ending up with American Airlines in Tulsa, Oklahoma. In addition to her fantasy writing, she has written lyrics for and recorded nearly fifty songs for Firebird Arts & Music, a small recording company specializing in science fiction folk music. "I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' — they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not. "I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes. "I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde in Burning Water: "There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good—they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race." Also writes as Misty Lackey Author's website

Andre Norton

Author · 174 books

Alice Mary Norton always had an affinity to the humanities. She started writing in her teens, inspired by a charismatic high school teacher. First contacts with the publishing world led her, as many other contemporary female writers targeting a male-dominated market, to choose a literary pseudonym. In 1934 she legally changed her name to Andre Alice. She also used the names Andrew North and Allen Weston as pseudonyms. Andre Norton published her first novel in 1934, and was the first woman to receive the Gandalf Grand Master Award from the World Science Fiction Society in 1977, and won the Damon Knight Memorial Grand Master Award from the Science Fiction and Fantasy Writers of America (SFWA) association in 1983. Norton was twice nominated for the Hugo Award, in 1964 for the novel Witch World and in 1967 for the novelette "Wizard's World." She was nominated three times for the World Fantasy Award for lifetime achievement, winning the award in 1998. Norton won a number of other genre awards, and regularly had works appear in the Locus annual "best of year" polls. On February 20, 2005, the Science Fiction and Fantasy Writers of America, which had earlier honored her with its Grand Master Award in 1983, announced the creation of the Andre Norton Award, to be given each year for an outstanding work of fantasy or science fiction for the young adult literature market, beginning in 2006. Often called the Grande Dame of Science Fiction and Fantasy by biographers such as J. M. Cornwell and organizations such as Science Fiction and Fantasy Writers of America, Publishers Weekly, and Time, Andre Norton wrote novels for over 70 years. She had a profound influence on the entire genre, having over 300 published titles read by at least four generations of science fiction and fantasy readers and writers. Notable authors who cite her influence include Greg Bear, Lois McMaster Bujold, C. J. Cherryh, Cecilia Dart-Thornton, Tanya Huff, Mercedes Lackey, Charles de Lint, Joan D. Vinge, David Weber, K. D. Wentworth, and Catherine Asaro.