Clare Cassidy is no stranger to murder. A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

Murder leaps off the page when crime novelists begin to turn up dead in this intricate new novel by internationally best-selling author Elly Griffiths, a literary mystery perfect for fans of Anthony Horowitz and Agatha Christie. The death of a ninety-year-old woman with a heart condition should not be suspicious. Detective Sergeant Harbinder Kaur certainly sees nothing out of the ordinary when Peggy’s caretaker, Natalka, begins to recount Peggy Smith’s passing. But Natalka had a reason to be at the police station: while clearing out Peggy’s flat, she noticed an unusual number of crime novels, all dedicated to Peggy. And each psychological thriller included a mysterious postscript: PS: for PS. When a gunman breaks into the flat to steal a book and its author is found dead shortly thereafter—Detective Kaur begins to think that perhaps there is no such thing as an unsuspicious death after all. And then things escalate: from an Aberdeen literary festival to the streets of Edinburgh, writers are being targeted. DS Kaur embarks on a road trip across Europe and reckons with how exactly authors can think up such realistic crimes . . .

A murderer strikes at a school reunion—but the students are no strangers to death—in this propulsive, twisty thriller from the internationally bestselling author of the Ruth Galloway Mysteries Is it possible to forget that you've committed a murder? When Cassie Fitzgerald was at school in the late 90s, she and her friends killed a fellow student. Almost twenty years later, Cassie is a happily married mother who loves her job—as a police officer. She closely guards the secret she has all but erased from her memory. One day her husband finally persuades her to go to a school reunion. Cassie catches up with her high-achieving old friends from the Manor Park School—among them two politicians, a rock star, and a famous actress. But then, shockingly, one of them, Garfield Rice, is found dead in the school bathroom, supposedly from a drug overdose. As Garfield was an eminent—and controversial—MP and the investigation is high profile, it's headed by Cassie's new boss, DI Harbinder Kaur, freshly promoted and newly arrived in London. The trouble is, Cassie can't shake the feeling that one of them has killed again. Is Cassie right, or was Garfield murdered by one of his political cronies? It's in Cassie's interest to skew the investigation so that it looks like it has nothing to do with Manor Park and she seems to be succeeding. Until someone else from the reunion is found dead in Bleeding Heart Yard...

Natalka and Edwin, whom we met in The Postscript Murders, are running a detective agency in Shoreham, Sussex. Despite a steady stream of minor cases, Natalka is frustrated, longing for a big juicy case such as murder to come the agency's way. Natalka is now living with dreamer, Benedict. But her Ukrainian mother Valentyna has joined them from her war-torn country and three's a crowd. It's annoying to have Valentyna in the tiny flat, cooking borscht and cleaning things that are already clean. To add to Natalka's irritation, Benedict and her mother get on brilliantly. Then a murder case turns up. Local writer, Melody Chambers, is found dead and her family are convinced it is murder. Edwin, a big fan of the obit pages, thinks there's a link to the writer of Melody's obituary who pre-deceased his subject. The trail leads Benedict and Edwin to a slightly sinister writers' retreat. When another writer is found dead, Edwin thinks that the clue lies in the words. Seeking professional help, the amateur investigators turn to their friend, detective Harbinder Kaur, to find that they have stumbled on a plot that is stranger than fiction.

From the internationally bestselling author of the Ruth Galloway Mysteries, an eclectic, thrilling collection of short stories, featuring many characters that readers have come to know and love. Elly Griffiths has always written short stories to experiment with different voices and genres as well as to explore what some of her fictional creations such as Ruth Galloway, Harbinder Kaur, and Max Mephisto might have done outside of the novels. The Man in Black gathers these bite-sized tales all together in one splendid volume. There are ghost stories, cozy mysteries, tales of psychological suspense, and poignant vignettes of love and loss. In the title story, Ruth Galloway crosses paths with a mysterious man in a bookstore, setting in motion a rescue mission that hinges on the legends and lore of Norfolk. Looking into the past, a young magician in 1920s Leeds wonders just what happened to his missing landlady in Max Mephisto and the Disappearing Act. In Justice Jones and the Etherphone, a witty girl detective investigates the dire prediction of a fortune teller in dreary postwar London. A flashback in time reveals Harbinder Kaur as a Detective Sergeant surviving her first day on the job at Shoreham DCI. To celebrate the holidays, Ruth gets her very first Christmas tree, and her beloved cat narrates his own seasonal story in Flint’s Fireside Tale. And readers can armchair travel with stories set on the Amalfi Coast, in Capri, and in Egypt as Ruth and DCI Nelson experience their very own version of Death on the Nile. The Man in Black illustrates the breadth and variety of Elly Griffiths’s talent for blood-chilling, page-turning stories all with her trademark humor and heart.