Wilkie Collins’s later novels are often as concerned with social issues as they are with simple storytelling—but as more and more critics are suggesting, the best of them are as readable and thought-provoking today as they were when they first appeared. Of none is this more true than of his 1883 novel Heart and Science, which Collins himself placed alongside his masterpiece The Woman in White. Heart and Science turns on the fate of the orphaned Carmina Graywell, who is left in the charge of her aunt and guardian Mrs. Gallilee when her fiancé is forced to take an extended trip to Canada’s drier climes in order to recover his health. Over the issue of her inheritance Mrs. Gallilee schemes to manipulate, control and ultimately destroy the naïve but strong-willed Carmina. The story is complicated by the machinations of Dr. Benjulia, a dark genius whose passionate devotion to the study of diseases of the brain leads him to encourage the progress of Carmina’s life-threatening brain illness for the sake of scientific observation; the narrative builds to a pair of spectacularly lurid climactic scenes. Collin’s novel tackles the debate over what he termed ‘the hideous secrets of Vivisection’ with a passionate intensity aroused in large part by the sensational 1880s case of a doctor who was acquitted on charges laid under the new Cruelty to Animals Act of having practiced live experimentation on animals without a license. Excerpts from a contemporary account of this trial, together with other documents relating to the vivisectionist controversy and a variety of contemporary reviews of the book, are included among the appendices of this volume. The edition also includes a full introduction, chronology, explanatory notes and a note on the text. Heart and Science’s story of the struggle between strong-willed women will strike chords of sympathetic understanding with modern readers—as will its vivisectionist theme, with it’s clear parallels to the animal welfare/ animal rights debates of today.
Author
A close friend of Charles Dickens from their meeting in March 1851 until Dickens' death in June 1870, William Wilkie Collins was one of the best known, best loved, and, for a time, best paid of Victorian fiction writers. But after his death, his reputation declined as Dickens' bloomed. Now, Collins is being given more critical and popular attention than he has received for 50 years. Most of his books are in print, and all are now in e-text. He is studied widely; new film, television, and radio versions of some of his books have been made; and all of his letters have been published. However, there is still much to be discovered about this superstar of Victorian fiction. Born in Marylebone, London in 1824, Collins' family enrolled him at the Maida Hill Academy in 1835, but then took him to France and Italy with them between 1836 and 1838. Returning to England, Collins attended Cole's boarding school, and completed his education in 1841, after which he was apprenticed to the tea merchants Antrobus & Co. in the Strand. In 1846, Collins became a law student at Lincoln's Inn, and was called to the bar in 1851, although he never practised. It was in 1848, a year after the death of his father, that he published his first book, 'The Memoirs of the Life of William Collins, Esq., R.A'., to good reviews. The 1860s saw Collins' creative high-point, and it was during this decade that he achieved fame and critical acclaim, with his four major novels, 'The Woman in White' (1860), 'No Name' (1862), 'Armadale' (1866) and 'The Moonstone' (1868). 'The Moonstone', is seen by many as the first true detective novel T. S. Eliot called it "the first, the longest, and the best of modern English detective novels ..." in a genre invented by Collins and not by Poe.
