
Part of Series
Lord Tilbury's blood pressure is rocketing skywards. The Hon. Galahad Threepwood's decision not to publish his scandalous reminiscences will lose him a small fortune. But he's one of the bulldog breed who don't readily admit defeat. Monty Bodkin, abruptly given the boot by Lord Tilbury, has taken up his secretarial duties at Blandings Castle, home of Lord Emsworth and his adored pig, Empress of Blandings. There, it seems the publication - or otherwise - of the memoirs is becoming a "cause celebre". Three camps are forming: those who want the book published, those who want it suppressed and those who, including Monty on one side and Percy Pilbeam, private detective, on the other, who have been sent to steal it. Whichever side they're on it's bound to involve blackmail, theft and the abduction of the Empress . . .
Author

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career. An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend. Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).