Part of Series
Vu la quantité invraisemblable de diables, diablotins, esprits, fantômes, revenants et autres membres peu recommandables des légions infernales qui passent leur temps à essayer de déferler sur la terre, le Bureau de recherches paranormales de la défense a du pain sur la planche. Surtout son meilleur agent : Hellboy. Il faut dire qu'il en connaît un rayon sur les enfers : il en vient. Mais qu'il soit rouge avec une queue fourchue et une main de pierre n'en fait pas pour autant un copain des forces du mal. Plutôt le contraire, même. Et c'est pas un dragon anglais, le fantôme d'un roi norvégien, des têtes coupées japonaises et voraces ou un ectoplasme monstrueux qui vont lui faire la leçon. À force, il en deviendrait même las, ce pauvre Hellboy. Avec Hellboy, personnage dont il a l'entière paternité, Mignola a pu enfin montrer toute l'étendue de son talent. Un trait fin et précis, des lignes brisées, un travail très particulier sur les ombres ont fait de lui un des dessinateurs les plus admirés de la bande dessinée américaine moderne. Ce recueil d'histoires courtes, toujours aussi inquiétantes et drôles, le prouve encore une fois. —Georges Louhans
Author
Mike Mignola was born September 16, 1960 in Berkeley, California and grew up in nearby Oakland. His fascination with ghosts and monsters began at an early age (he doesn't remember why) and reading Dracula at age 13 introduced him to Victorian literature and folklore from which he has never recovered. In 1982, hoping to find a way to draw monsters for a living, he moved to New York City and began working for Marvel Comics, first as a (very terrible) inker and then as an artist on comics like Rocket Raccoon, Alpha Flight and The Hulk. By the late 80s he had begun to develop his signature style (thin lines, clunky shapes and lots of black) and moved onto higher profile commercial projects like Cosmic Odyssey (1988) and Gotham by Gaslight (1989) for DC Comics, and the not-so-commercial Fafhrd and the Grey Mouser (1990) for Marvel. In 1992, he drew the comic book adaptation of the film Bram Stoker's Dracula for Topps Comics. In 1993, Mike moved to Dark Horse comics and created Hellboy, a half-demon occult detective who may or may not be the Beast of the Apocalypse. While the first story line (Seed of Destruction, 1994) was co-written by John Byrne, Mike has continued writing the series himself. There are, at this moment, 13 Hellboy graphic novel collections (with more on the way), several spin-off titles (B.P.R.D., Lobster Johnson, Abe Sapien and Witchfinder), three anthologies of prose stories, several novels, two animated films and two live-action films staring Ron Perlman. Hellboy has earned numerous comic industry awards and is published in a great many countries. Mike also created the award-winning comic book The Amazing Screw-on Head and has co-written two novels (Baltimore, or, the Steadfast Tin Soldier and the Vampire and Joe Golem and the Drowning City) with best-selling author Christopher Golden. Mike worked (very briefly) with Francis Ford Coppola on his film Bram Stoker's Dracula (1992), was a production designer on the Disney film Atlantis: The Lost Empire (2001) and was visual consultant to director Guillermo del Toro on Blade II (2002), Hellboy (2004) and Hellboy II: The Golden Army (2008). He lives somewhere in Southern California with his wife, daughter, a lot of books and a cat.
