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Henrik Ibsen book cover
Henrik Ibsen
Four Major Plays
1879
First Published
4.12
Average Rating
324
Number of Pages
Four Major Plays by Henrik Ibsen A Doll's House Hedda Gabler Translated by Edmund Gosse and William Archer With an introduction by William Archer The Master Builder Translated by Edmund Gosse and William Archer Introduction by William Archer Ghosts A Domestic Tragedy in Three Acts Translated by R. Farquharson Sharp Henrik Johan Ibsen; 20 March 1828 - 23 May 1906, was a major 19th-century Norwegian playwright, theatre director, and poet. He is often referred to as "the father of realism" and is one of the founders of Modernism in theatre. His major works include Brand, Peer Gynt, An Enemy of the People, Emperor and Galilean, A Doll's House, Hedda Gabler, Ghosts, The Wild Duck, When We Dead Awaken, Pillars of Society, The Lady from the Sea, Rosmersholm, The Master Builder and John Gabriel Borkman. He is the most frequently performed dramatist in the world after Shakespeare, and A Doll's House became the world's most performed play by the early 20th century.
Avg Rating
4.12
Number of Ratings
78
5 STARS
38%
4 STARS
38%
3 STARS
19%
2 STARS
4%
1 STARS
0%
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Author

Henrik Ibsen
Henrik Ibsen
Author · 50 books

Henrik Johan Ibsen was a major Norwegian playwright largely responsible for the rise of modern realistic drama. He is often referred to as the "father of modern drama." Ibsen is held to be the greatest of Norwegian authors and one of the most important playwrights of all time, celebrated as a national symbol by Norwegians. His plays were considered scandalous to many of his era, when Victorian values of family life and propriety largely held sway in Europe and any challenge to them was considered immoral and outrageous. Ibsen's work examined the realities that lay behind many facades, possessing a revelatory nature that was disquieting to many contemporaries. Ibsen largely founded the modern stage by introducing a critical eye and free inquiry into the conditions of life and issues of morality. Victorian-era plays were expected to be moral dramas with noble protagonists pitted against darker forces; every drama was expected to result in a morally appropriate conclusion, meaning that goodness was to bring happiness, and immorality pain. Ibsen challenged this notion and the beliefs of his times and shattered the illusions of his audiences.

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