From “one of the greatest writers of our time” (Toni Morrison)—the author of Barracoon and Their Eyes Were Watching God—a collection of remarkable stories, including eight “lost” Harlem Renaissance tales now available to a wide audience for the first time. Newsweek’s Most Anticipated Books of 2020 Forbes.com’s Most Anticipated Books of 2020 Publishers Weekly’s Notable Titles In 1925, Barnard student Zora Neale Hurston—the sole black student at the college—was living in New York, “desperately striving for a toe-hold on the world.” During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. Nearly a century later, this singular talent is recognized as one of the most influential and revered American artists of the modern period. Hitting a Straight Lick with a Crooked Stick is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s “lost” Harlem stories, which were found in forgotten periodicals and archives. These stories challenge conceptions of Hurston as an author of rural fiction and include gems that flash with her biting, satiric humor, as well as more serious tales reflective of the cultural currents of Hurston’s world. All are timeless classics that enrich our understanding and appreciation of this exceptional writer’s voice and her contributions to America’s literary traditions.
Author
Novels, including Their Eyes Were Watching God (1937), and nonfiction writings of American folklorist Zora Neale Hurston give detailed accounts of African American life in the South. In 1925, Hurston, one of the leaders of the literary renaissance, happening in Harlem, produced the short-lived literary magazine Fire!! alongside Langston Hughes and Wallace Thurman shortly before she entered Barnard College. This literary movement developed into the Harlem renaissance. Hurston applied her Barnard ethnographic training to document African American folklore in her critically acclaimed book Mules and Men alongside fiction Their Eyes Were Watching God . She also assembled a folk-based performance dance group that recreated her Southern tableau with one performance on Broadway. People awarded a Guggenheim fellowship to Hurston to travel to Haiti and conduct research on conjure in 1937. Her significant work ably broke into the secret societies and exposed their use of drugs to create the Vodun trance, also a subject of study for fellow dancer-anthropologist Katherine Dunham, then at the University of Chicago. In 1954, the Pittsburgh Courier assigned Hurston, unable to sell her fiction, to cover the small-town murder trial of Ruby McCollum, the prosperous black wife of the local lottery racketeer, who had killed a racist white doctor. Hurston also contributed to Woman in the Suwanee County Jail , a book by journalist and civil rights advocate William Bradford Huie.
