Homenets, publicada originalment el 1871, reprèn els personatges de Donetes i Aquelles donetes (1868 i 1869), de l'escriptora nord-americana Louisa May Alcott. La Jo Bhaer (Jo March de soltera) i el seu marit Fritz, pares de dos fills, viuen totalment dedicats a l'educació dels nois de l'escola de Plumfield, que són majoritàriament nois orfes que han crescut sense ordre ni disciplina, però, sobretot, sense l'afecte i la protecció d'una família. Ella és l'ànima d'aquesta atípica escola, on es permeten les guerres de coixins, es convida els alumnes a tenir cura del jardí i els animals, i se'ls anima a realitzar tot tipus d'experiments pel seu compte... A través d'aquestes experiències tan diverses, els nois, que al principi es mostren rebels i descurats, aniran madurant i aprendran a responsabilitzar-se dels seus actes i a expressar afecte cap als educadors. Aquest és el tercer llibre de la sèrie de Donetes, que precedeix la novel·la que tanca el cicle: Els nois de Jo, del 1886.
Author
People best know American writer Louisa May Alcott for Little Women (1868), her largely autobiographical novel. As A.M. Barnard: Behind a Mask, or a Woman's Power (1866) The Abbot's Ghost, or Maurice Treherne's Temptation (1867) A Long Fatal Love Chase (1866 – first published 1995) First published anonymously: A Modern Mephistopheles (1877) Philosopher-teacher Amos Bronson Alcott, educated his four daughters, Anna, Louisa, Elizabeth and May and Abigail May, wife of Amos, reared them on her practical Christianity. Louisa spent her childhood in Boston and Concord, Massachusetts, where visits to library of Ralph Waldo Emerson, excursions into nature with Henry David Thoreau, and theatricals in the barn at Hillside (now "Wayside") of Nathaniel Hawthorne enlightened her days. Like Jo March, her character in Little Women, young Louisa, a tomboy, claimed: "No boy could be my friend till I had beaten him in a race, ... and no girl if she refused to climb trees, leap fences...." Louisa wrote early with a passion. She and her sisters often acted out her melodramatic stories of her rich imagination for friends. Louisa preferred to play the "lurid" parts in these plays, "the villains, ghosts, bandits, and disdainful queens." At 15 years of age in 1847, the poverty that plagued her family troubled her, who vowed: "I will do something by and by. Don’t care what, teach, sew, act, write, anything to help the family; and I’ll be rich and famous and happy before I die, see if I won’t!" Confronting a society that offered little opportunity to women, seeking employment, Louisa determined "...I will make a battering-ram of my head and make my way through this rough and tumble world." Whether as a teacher, seamstress, governess, or household servant, Louisa ably found work for many years. Career of Louisa as an author began with poetry and short stories in popular magazines. In 1854, people published Flower Fables, her first book, at 22 years of age. From her post as a nurse in Washington, District of Columbia, during the Civil War, she wrote home letters that based Hospital Sketches (1863), a milestone along her literary path. Thomas Niles, a publisher in Boston, asked 35-year-old Louisa in 1867 to write "a book for girls." She wrote Little Women at Orchard House from May to July 1868. Louisa and her sisters came of age in the novel, set in New England during Civil War. From her own individuality, Jo March, the first such American juvenile heroine, acted as a living, breathing person rather than the idealized stereotype that then prevailed in fiction of children. Louisa published more than thirty books and collections of stories. Only two days after her father predeceased her, she died, and survivors buried her body in Sleepy Hollow cemetery in Concord.
