Horror

Libby Day was just seven years old when her evidence put her fifteen-year-old brother behind bars. Since then, she has been drifting. But when she is contacted by a group who are convinced of Ben's innocence, Libby starts to ask questions she never dared to before. Was the voice she heard her brother's? Ben was a misfit in their small town, but was he capable of murder? Are there secrets to uncover at the family farm or is Libby deluding herself because she wants her brother back? She begins to realise that everyone in her family had something to hide that day... especially Ben. Now, twenty-four years later, the truth is going to be even harder to find. Who did massacre the Day family?

Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the unsolved murder of a preteen girl and the disappearance of another. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victims—a bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the story—and survive this homecoming. Librarian's Note: this is an alternate cover edition - ISBN 10: 0307341550 (ISBN 13: 9780307341556)

A canny young woman is struggling to survive by perpetrating various levels of mostly harmless fraud. On a rainy April morning, she is reading auras at Spiritual Palms when Susan Burke walks in. A keen observer of human behavior, our unnamed narrator immediately diagnoses beautiful, rich Susan as an unhappy woman eager to give her lovely life a drama injection. However, when the "psychic" visits the eerie Victorian home that has been the source of Susan's terror and grief, she realizes she may not have to pretend to believe in ghosts anymore. Miles, Susan's teenage stepson, doesn't help matters with his disturbing manner and grisly imagination. The three are soon locked in a chilling battle to discover where the evil truly lurks and what, if anything, can be done to escape it. “The Grownup,” originally appeared as “What Do You Do?” in George R. R. Martin’s Rogues anthology.

Lex Gracie doesn't want to think about her family. She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents—her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer. Together with her sister, Evie, Lex intends to turn the House of Horrors into a force for good. But first she must come to terms with her siblings - and with the childhood they shared.

A propulsive and twisty page-turner with razor-sharp sociopolitical insight, One of the Good Guys asks: if most men claim to be good, why are most women still afraid to walk home alone at night? Newly separated from his wife and desperate to escape the ghosts of his failed marriage, Cole leaves London for a fresh start in the countryside. He accepts a job as a wildlife ranger and settles into his cozy seaside cottage, relishing the respite from the noise, drama, and relentless careerism that curdled his relationship along with his mental health. Then he meets Leonora, the reclusive artist living next door, and is instantly charmed by her warm and gentle spirit. But as the two forge a connection on the cliff’s edge they call home, two young women activists raising awareness about gendered violence disappear while passing through. Cole and Leonora find themselves in the middle of a police investigation and resulting media firestorm as the world learns of what happened, and as the tension escalates, they quickly realize that they don’t know each other that well after all. From the critically acclaimed author of Our Kind of Cruelty and Imperfect Women comes an urgent psychological thriller about gender, power, and how both are captured in contemporary media.

You wake up in the rubble and see a ragged, desperate one-armed man greeting you. He takes you underground to a safe space, feeds you, offers you a place to sleep, and then announces that he'll take the first watch. It's not long before the peril of the jagged landscape has located you and your newfound protector and is scratching at the door. What transpires is a moment-to-moment struggle for survival - The Road meets Dawn of the Dead. Daybreak is seen through the eyes of a silent observer as he follows his protector and runs from the shadows of the imminent zombie threat. Brian Ralph slowly builds the tension of the zombies on the periphery, letting the threat—rather than the actual carnage—be the driving force. The postapocalyptic backdrop features tangles of rocks, lumber, I-beams, and overturned cars that are characters in and of themselves. A New York Times Graphic Novel Bestseller and YALSA Great Graphic Novel For Teens, Daybreak is an art-house take on the classic zombie genre.