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Hourra l'Oural book cover
Hourra l'Oural
2022
First Published
3.44
Average Rating
114
Number of Pages
Le génie poétique de Louis Aragon a trop souvent été éclipsé par ses engagements. Hourra l'Oural (1934) a longtemps pâti de ce destin : oeuvre de passion et d'aveuglement, ce poème témoigne de la fascination d'Aragon pour l'URSS des grands chantiers staliniens des années 1930.Pourtant, au-delà de toute obédience politique, Hourra l'Oural est une pépite de l'héritage littéraire aragonien. Par sa modernité stylistique, par sa recherche de formes artistiques nouvelles, ce long poème s'inscrit dans la tradition de Maïakovski et des futuristes russes, mais aussi de Blaise Cendrars et des surréalistes français. À travers ce texte, Aragon entend participer au cours de l'Histoire. Sa verve et sa virtuosité l'emportent aujourd'hui sur son manque de clairvoyance politique.Préface inédite de Dan Franck : Le romancier et spécialiste des avant-gardes du xxᵉsiècle donne à cette réédition une indispensable remise en perspective historique.
Avg Rating
3.44
Number of Ratings
9
5 STARS
11%
4 STARS
44%
3 STARS
33%
2 STARS
0%
1 STARS
11%
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Author

Louis Aragon
Louis Aragon
Author · 33 books

Louis Aragon was a major figure in the avant-garde movements that shaped French literary and visual culture in the 20th century. His long career as a poet, novelist, communist polemicist and bona-fide war hero, secured him his place in the pantheon of French literary greats. With André Breton and Phillipe Soupault, Aragon launched the Surrealist movement and through his 1926 novel, Paysan de Paris (Paris Peasant), produced what is considered by most to be the movement's defining literary text. Having parted company with the movement in the early 1930s, Aragon devoted his energies to the French Communist Party and went on to produce a vast body of literature that combined elements of the avant-garde and social realism. Giving his voice and images to the art of France, Aragon was a leading influence on the shaping of the novel in the early to mid-twentieth century. He was also and an editor and a critic, being a member of the Académie Goncourt. After 1959, he was a frequent nominee for the Nobel Prize in Literature.

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