With a riotously colorful cast of highbrows, cowpokes, and rodeo queens, in its wry humor, tenderness, and epic panorama, Moving On is a celebration of our land by Larry McMurtry, one of America’s best-loved authors. Moving On is a big, powerful novel about men and women in the American West. Set in the 1960s against the backdrop of the honky-tonk glamour of the rodeo and the desperation of suburban Houston, it is the story of the restless and lovable Patsy Carpenter, one of Larry McMurtry’s most unforgettable characters. Patsy—young, beautiful, with a sharp tongue and an irresistible charm—and her shiftless husband, Jim, are adrift in the West. Patsy moves through affairs of the heart like small towns—there’s Pete, the rodeo clown, and Hank, the graduate student, and others—always in search of the life that seems ever receding around the next bend. Moving On is vintage McMurtry.

Ranging from Texas to California on a young writer's journey in a car he calls El Chevy, All My Friends Are Going to Be Strangers is one of Larry McMurtry's most vital and entertaining novels. Danny Deck is on the verge of success as an author when he flees Houston and hurtles unexpectedly into the hearts of three women: a girlfriend who makes him happy but who won't stay, a neighbor as generous as she is lusty, and his pal Emma Horton. It's a wild ride toward literary fame and an uncharted country...beyond everyone he deeply loves. All My Friends Are Going to Be Strangers is a wonderful display of Larry McMurtry's unique gift: his ability to re-create the subtle textures of feelings, the claims of passing time and familiar place, and the rich interlocking swirl of people's lives.

An Oscar-winning story of a memorable mother and her feisty daughter who find the courage and humor to live through life's hazards and to love each other as never before. The Pulitzer Prize-winning author of Lonesome Dove created two characters who won the hearts of readers and moviegoers everywhere—Aurora Greenway and her daughter Emma.

Pulitzer Prize–winning Larry McMurtry writes like no one else about the American frontier—though in Somebody's Darling, the frontier lies farther west, in Hollywood, and his subject is the strange world of the movies—those who make them and those who play in them. Somebody's Darling is the story of the fortunes of Jill Peel. Jill is brilliant, talented, and disciplined, and one of the best female directors in Hollywood, or anywhere else. She's got it all together, except where the men in her life are concerned: Joe Percy and Owen Oarson. Joe is a womanizing, aging screenwriter, cheerfully cynical about life, love, and art, and the pursuit of all three. But he'd rather be left alone with the young, oversexed wives of studio moguls. Owen is an ex-Texas football player and tractor salesman turned studio climber and sexual athlete. He'll climb from bed to bed in pursuit of his starry goal: to be a movie producer. Between the two of them and a cast of Hollywood's most unforgettable eccentrics, Jill Peel tries to create some movie magic. Full of all the grit and warmth of his best work, Somebody's Darling is Larry McMurtry's deft and raunchy romp behind the scenes of America's own unique Babel: Hollywood.

Not since Terms of Endearment has the Pulitzer Prize-winning author of Lonesome Dove and Anything for Billy touched the heart so deeply as he does in this story of a father learning to love a daughter he's never met.

Here old age and death catch up with some beloved McMurtry characters familiar to readers since Terms of Endearment . Willful, tart-tongued Aurora Greenway and her outspoken maid and confidante, Rose Dunlup, yes are in their 70s when this book begins; Aurora's lover, Gen. Hector Scott, is nearing 90. Their eccentricities have been exacerbated by the passing of years. Still greedy for life and sexual fulfillment, Aurora convinces Hector that they need psychoanalysis to ensure his better performance; then she begins an affair with the therapist, who is 30 years her junior. Aurora's grandchildren, the legacy of her dead daughter, Emma, are painfully neurotic: former dope dealer Tommy is in prison for manslaughter; though trying maintain mental stability with Jane and their adorable baby, Teddy again comes close to breakdown; pregnant Melissa's feckless boyfriend abandons her for a woman with a Ferrari.