How to Write is a perverse Coles Notes: a paradigm of prosody where writing as sampling, borrowing, cutting-and-pasting and mash-up meets literature. This collection of conceptual short ?ction takes inspiration from Lautréamont’s decree that “plagiarism is necessary. It is implied in the idea of progress. It clasps the author’s sentence tight, uses his expressions, eliminates a false idea, replaces it with the right idea.” Already early in the twentieth century, the modernist Ezra Pound asserted that poets should “make it new,” and of course by “it” he meant “the tradition”: the materiality of pre-existent writing. The assertion is by no means original, much less post-modern: John Donne, for example, argued centuries ago that “all mankind is of one author, and is one volume.” How to Write is an instruction manual for the demise of ownership. A multitudinous dialogue of writers and subjects, words and contexts, it unleashes a cacophony of voices where authors don’t own their words, they merely rent them from other authors. Containing ten pieces of conceptual prose ranging from the purely appropriated through the entirely recomposed, and covering a range of texts from the anonymous to the famous, it includes samplings from, among many others: Lawrence Sterne; Agatha Christie; Bob Kane; Roy Lichtenstein; and every piece of text within one block of the author’s home. Its title story is an exhaustive record of every incidence of the words “write” or “writes” in forty different English-language texts picked aesthetically to represent a disparate number of genres. With How to Write, Beaulieu suggests writers and artists would be better served to “make it reframed, make it borrowed, make it re-contextualized.” By recasting the canon with cut-up directions for successful writing, catalogues of events, and lists of vocabulary, he gleefully illustrates Picasso’s dictum that “Good artists copy. Great artists steal.”
Author
From wikipedia: Derek Alexander Beaulieu (born 1973) is a Canadian poet, publisher and anthologist. Beaulieu studied contemporary Canadian poetics at the University of Calgary. His work has appeared internationally in small press publications, magazines, and in visual art galleries. He has lectured on small press politics, arts funding and literary community in Canada, the United States, the United Kingdom and Iceland. He works extensively around issues of community and poetics, and along those lines has edited (or co-edited) the magazines filling Station (1998–2001, 2004–present), dANDelion (2001–2004), and endNote (2000–2001). He founded housepress in 1997 from which he published small editions of poetry, prose and critical work until 2004. The housepress fonds are now located at Simon Fraser University. In 2005 he founded the small press no press. In 2005 he co-edited Shift & Switch: new Canadian poetry with Angela Rawlings and Jason Christie, a controversial anthology of radical new poetry which has been reviewed internationally. Beaulieu has shifted his focus in recent years to conceptual fiction, specifically visual translations/rewritings. His book Flatland consists of visual patterns based on the typography of Edwin Abbott Abbott's classic novel Flatland and his book Local Colour is a series of colour blocks based on the original text of Paul Auster's novella Ghosts. How to Write, a collection of conceptual prose, was published by Talonbooks in 2010. Beaulieu lives in Calgary, Alberta.
