2016
First Published
3.50
Average Rating
364
Number of Pages
Part of Series
Humor and Violence examines the rich history of portraying Europeans in Central African art and includes images from heart-wrenching scenes of human trafficking to playful parodies of colonialists. Z. S. Strother contends that the dialectic of humor and violence reveals deep insights into the psychology of power and resistance that continues to operate in the region today. Her argument is built on a set of works of art that she was able to date and corroborates the important role that patronage and political and social history played in their creation. Strother argues that Central African ideas about the therapeutic power of humor initiate social change and upset power relations between oppressors and oppressed. This analysis plunges seemingly benign figures into a maelstrom of violence and crime—rape, murder, torture, and forced labor on a massive scale. By restoring the dialectic of humor, it reveals the complicated psychological co-dependency of Africans and Europeans over a long period of history and maintains that art plays a mediating function in the mechanics and ethics of power.
Avg Rating
3.50
Number of Ratings
2
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