
There are situations in which we fail for a moment to recognize the person we are with, in which the identity of the other is erased while we simultaneously doubt our own. This also happens with couples—indeed, above all with couples, because lovers fear more than anything else "losing sight" of that loved one. With stunning artfulness in expanding and playing variations on the meaningful moment, Milan Kundera has made this situation—and the vague sense of panic it inspires—the very fabric of his novel. Here brevity goes hand in hand with intensity, and a moment of bewilderment marks the start of a labyrinthine journey during which the reader repeatedly crosses the border between the real and the unreal, between what occurs in the world outside, and what the mind creates in its solitude. Of all contemporary writers, only Kundera can transform such a hidden and disconcerting perception into the material for a novel, one of his finest, most painful, and most enlightening. Which, surprisingly, turns out to be a love story.
Author

People best know Czech-born writer Milan Kundera for his novels, including The Joke (1967), The Book of Laughter and Forgetting (1979), and The Unbearable Lightness of Being (1984), all of which exhibit his extreme though often comical skepticism. Since 1975, he lived in exile in France and in 1981 as a naturalized citizen. Kundera wrote in Czech and French. He revises the French translations of all his books; people therefore consider these original works as not translations. The Communist government of Czechoslovakia censored and duly banned his books from his native country, the case until the downfall of this government in the velvet revolution of 1989.