Ezra Weston Loomis Pound was an American expatriate poet, critic and intellectual who was a major figure of the Modernist movement in early-to-mid 20th century poetry. Pound's The Cantos contains music and bears a title that could be translated as The Songs—although it never is. Pound's ear was tuned to the motz et sons of troubadour poetry where, as musicologist John Stevens has noted, "melody and poem existed in a state of the closest symbiosis, obeying the same laws and striving in their different media for the same sound-ideal - armonia." In his essays, Pound wrote of rhythm as "the hardest quality of a man's style to counterfeit." He challenged young poets to train their ear with translation work to learn how the choice of words and the movement of the words combined. But having translated texts from 10 different languages into English, Pound found that translation did not always serve the poetry: "The grand bogies for young men who want really to learn strophe writing are Catullus and François Villon. I personally have been reduced to setting them to music as I cannot translate them." While he habitually wrote out verse rhythms as musical lines, Pound did not set his own poetry to music.

Edward Godfree Aldington was an English writer, poet, translator, critic, and biographer. He joined the British Army in 1916 and was wounded in 1918. See http://en.wikipedia.org/wiki/Richard\_...

Ford Madox Ford, born Ford Hermann Hueffer, was an English novelist, poet, critic and editor whose journals, The English Review and The Transatlantic Review, were instrumental in the development of early 20th-century English literature. Ford Madox Ford was the author of over 60 works: novels, poems, criticism, travel essays, and reminiscences. His work includes The Good Soldier , Parade's End , The Rash Act, and Ladies Whose Bright Eyes. He collaborated with Joseph Conrad on The Inheritors, Romance, and other works. Ford lived in both France and the United States and died in 1939.

David Herbert Richards Lawrence was an English writer of the 20th century, whose prolific and diverse output included novels, short stories, poems, plays, essays, travel books, paintings, translations, literary criticism, and personal letters. His collected works represent an extended reflection upon the dehumanizing effects of modernity and industrialisation. In them, Lawrence confronts issues relating to emotional health and vitality, spontaneity, human sexuality and instinct. Lawrence's opinions earned him many enemies and he endured official persecution, censorship, and misrepresentation of his creative work throughout the second half of his life, much of which he spent in a voluntary exile he called his "savage pilgrimage." At the time of his death, his public reputation was that of a pornographer who had wasted his considerable talents. E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation." Later, the influential Cambridge critic F. R. Leavis championed both his artistic integrity and his moral seriousness, placing much of Lawrence's fiction within the canonical "great tradition" of the English novel. He is now generally valued as a visionary thinker and a significant representative of modernism in English literature. http://en.wikipedia.org/wiki/D.H.\_Law...

William Carlos Williams was an American poet closely associated with modernism and Imagism. He was also a pediatrician and general practitioner of medicine. Williams "worked harder at being a writer than he did at being a physician," wrote biographer Linda Wagner-Martin. During his long lifetime, Williams excelled both as a poet and a physician. Although his primary occupation was as a doctor, Williams had a full literary career. His work consists of short stories, poems, plays, novels, critical essays, an autobiography, translations, and correspondence. He wrote at night and spent weekends in New York City with friends—writers and artists like the avant-garde painters Marcel Duchamp and Francis Picabia and the poets Wallace Stevens and Marianne Moore. He became involved in the Imagist movement but soon he began to develop opinions that differed from those of his poetic peers, Ezra Pound and T. S. Eliot. Later in his life, Williams toured the United States giving poetry readings and lectures. In May 1963, he was posthumously awarded the Pulitzer Prize for Pictures from Brueghel and Other Poems (1962) and the Gold Medal for Poetry of the National Institute of Arts and Letters. The Poetry Society of America continues to honor William Carlos Williams by presenting an annual award in his name for the best book of poetry published by a small, non-profit or university press. Williams' house in Rutherford is now on the National Register of Historic Places. He was inducted into the New Jersey Hall of Fame in 2009.

A leader of the imagists, American poet Amy Lawrence Lowell wrote several volumes, including Sword Blades and Poppy Seed (1914), of poetry. A mother bore Amy into a prominent family. Percival Lowell, her brother and a famous astronomer, predicted the existence of the dwarf planet Pluto; Abbott Lawrence Lowell, another brother, served as president of Harvard University. The Lowell family deemed attendance at college not proper for a woman, so she instead compensated with her avid reading, which led to nearly obsessive book collecting. She lived as a socialite and travelled widely; after being inspired by a performance of Eleonora Duse in Europe inspired her, she turned to poetry in 1902. Her first published work appeared in 1910 in Atlantic Monthly. People apparently first published A Dome of Many-Coloured Glass , collection of her poetry, in 1912. In 1912, rumors swirled that supposedly lesbian Lowell reputedly lusted after actress Ada Dwyer Russell, her patron. Her more erotic work subjected Russell. The two women traveled together to England, where Lowell met Ezra Pound, a major influence at once and a major critic of her work. Writer Mercedes de Acosta romantically linked Lowell despite the brief correspondence about a memorial for Duse that never took place, the only evidence that they knew each other. Lowell, an imposing figure, kept her hair in a bun and wore a pince-nez. She smoked cigars constantly, claiming that they lasted longer than cigarettes. A glandular problem kept her perpetually overweight, so that poet Witter Bynner once said, in a cruel comment repeated by Ezra Pound and thereafter commonly misattributed to him, that she was a "hippopoetess." Her writing also included critical works on French literature and a biography of John Keats. Lowell's fetish for Keats is well-recorded. Pound, amongst many others, did not think of her as an imagist but merely a rich woman who was able to financially assist the publication of imagist poetry, which became weak after Pound's "exile" towards Vorticism. Lowell was an early adherent to the "free verse" method of poetry. Lowell died of a cerebral hemorrhage in 1925 at the age of 51. The following year, she was awarded the Pulitzer Prize for Poetry for What's O'Clock. Forgotten for years, there has been a resurgence of interest in her work, in part because of its focus on lesbian themes and her collection of love poems addressed to Ada Dwyer Russell, but also because of its personification of inanimate objects, such as in The Green Bowl, The Red Lacquer Music Stand, and Patterns.