Imaro is a rousing adventure... a tale of a young man’s continuing struggle to gain acceptance amongst his people, and to break the cycle of alienation and violence that plagues his life. Imaro is heroic fantasy like it’s never been done before. Based on Africa, and African traditions and legends, Charles Saunders has created Nyumbani (which means “home” in Swahili), an amalgam of the real, the semi-real, and the unreal. Imaro is the name of the larger-than-life warrior, an outcast, who travels across Nyumbani, searching for a home. Like his contemporaries, Karl Edward Wagner (Kane) and Michael Moorcock (Elric), Charles Saunders brings something new to the traditional heroic fantasy tale. A broad knowledge of, and passion for, the history and myths of Africa led to the creation of a heroic fantasy character the likes of which the world has never seen. Imaro is no Tarzan… no Conan… Imaro is a warrior out of African legend. Saunders' novel fuses the narrative style of fantasy fiction with a pre-colonial, alternate Africa. Inspired by and directly addresses the alienation of growing up an African American fan of Science Fiction and Fantasy, which to this day remains a very ethnically homogonous genre. It addresses this both structurally (via its unique setting) and thematically (via its alienated, tribeless hero-protagonist). The tribal tensions and histories presented in this fantasy novel reflect actual African tribal histories and tensions, and provide a unique perspective to current and recent conflicts in Africa, particularly the Rwandan genocide and the ongoing conflict in The Sudan.

It begins with the reunion of Imaro and his kidnapped lover Tanisha, who has been taken to the ruined City of Madness. With the help of their new found friend Pomphis, a Pygmay from the eastern forests of Nyumbani, they learn of the sorcerous forces that may have been behind the dark wizard that destroyed Imaro's youth. The trio goes to Mavindi, the port capital of the Eastern Coastal kingdom of Azania, in search of the legendary Kingdom of Cush, where Imaro hopes to find answers to the questions that have plagued his life. Who is he? Who was his father, and why was he seemingly cursed, and hounded from birth by forces beyond his control. Like his contemporaries, Karl Edward Wagner (Kane) and Michael Moorcock (Elric), Charles Saunders brings something new to the traditional heroic fantasy tale. A broad knowledge of, and passion for, the history and myths of Africa led to the creation of a heroic fantasy character the likes of which the world has never seen. Imaro is no Tarzan… no Conan… Imaro is a warrior out of African legend. Saunders' novel fuses the narrative style of fantasy fiction with a pre-colonial, alternate Africa. Inspired by and directly addresses the alienation of growing up an African American fan of Science Fiction and Fantasy, which to this day remains a very ethnically homogonous genre. It addresses this both structurally (via its unique setting) and thematically (via its alienated, tribeless hero-protagonist). The tribal tensions and histories presented in this fantasy novel reflect actual African tribal histories and tensions, and provide a unique perspective to current and recent conflicts in Africa, particularly the Rwandan genocide and the ongoing conflict in The Sudan.

Imaro, warrior of the Ilyassai, has settled into life as a husband and father in the fabled kingdom of Cush. Amid his growing restlessness, unspeakable tragedy strikes, sending Imaro on a grim mission of vengeance. His adversary has no face, but he does have a Bohu, the Bringer of Sorrow Ð a sorcerer of immense power and cruelty. As Imaro seeks a confrontation with his most formidable foe yet, the continent of Nyumbani is wracked with turmoil. The balance between the forces of good, represented by Cush, and evil, represented by the pariah land of Naama, has been disrupted. The gods themselves may have to go to war before that balance is restored. In the midst of the coming cataclysm, Imaro travels the length of Nyumbani in search of Bohu. Along the way, the warrior finally discovers his own identity Ð but will that knowledge help him as he battles a formidable array of enemies bent not only on his destruction, but that of Nyumbani itself?

Warfare on a cataclysmic scale is convulsing the continent of Nyumbani from north to south. Soldiers fall. Cities burn. Blood reddens the sea. Sorcery sears the land. Deities gather in opposite dimensions, poised to unleash unimaginable cosmic power on a land already battered by the conflict between the Cushites of the north and the Naamans of the south. In the midst of this massive struggle, Imaro, warrior of the Ilyassai, wages a personal war against his nemesis, the sorcerer Bohu of Naama. This individual vendetta mirrors the larger clash between the forces of good and evil – a confrontation that threatens to tear Nyumbani apart. The destiny for which Imaro has been honed like a living weapon now lies directly before him. Imaro vs. Bohu. Cush vs. Naama. War. Magic. Blood. Fire. The losers in this wide-ranging battle for the fate of a continent face oblivion. But the winners will not emerge unscathed.