Immigration

With the help of his mother, the encouragement of his new teacher, and a bit of time to adjust to his new surroundings, Hassan learns to appreciate his new home in America while still remembering and acknowledging his native land of Somalia.

Poignant and chilling, this allegory is an astonishing, powerful, and timely story about refugees, xenophobia, racism, multiculturalism, social politics, and human rights. When the people of an island find a man sitting on their shore, they immediately reject him because he is different. Fearful to the point of delusional paranoia, the islanders lock him in a goat pen, refuse him work, and feed him scraps they would normally feed a pig. As their fears progress into hatred, they force him into the sea. The charcoal illustrations complement the sparse and beautifully understated narrative.

Subhi is a refugee. Born in an Australian permanent detention center after his mother and sister fled the violence of a distant homeland, Subhi has only ever known life behind the fences. But his world is far bigger than that—every night, the magical Night Sea from his mother's stories brings him gifts, the faraway whales sing to him, and the birds tell their stories. And as he grows, his imagination threatens to burst beyond the limits of his containment. The most vivid story of all, however, is the one that arrives one night in the form of Jimmie—a scruffy, impatient girl who appears on the other side of the wire fence and brings with her a notebook written by the mother she lost. Unable to read it herself, she relies on Subhi to unravel her family's love songs and tragedies. Subhi and Jimmie might both find comfort—and maybe even freedom—as their tales unfold. But not until each has been braver than ever before.

Azzi and her parents are in danger. They have to leave their home and escape to another country on a frightening journey by car and boat. In the new country they must learn to speak a new language, find a new home and Azzi must start a new school. With a kind helper at the school, Azzi begins to learn English and understand that she is not the only one who has had to flee her home. She makes a new friend, and with courage and resourcefulness, begins to adapt to her new life. But Grandma has been left behind and Azzi misses her more than anything. Will Azzi ever see her grandma again? Drawing on her own experience of working among refugee families, renowned author and illustrator Sarah Garland tells, with tenderness and humour, an exciting adventure story to be enjoyed by readers of all ages. Endorsed by Amnesty International.

Told with humor and heart, 'THE BOY AT THE BACK OF THE CLASS' offers a child's perspective on the refugee crisis, highlighting the importance of friendship and kindness in a world that doesn't always make sense. There used to be an empty chair at the back of my class, but now a new boy called Ahmet is sitting in it. He's eight years old (just like me), but he's very strange. He never talks and never smiles and doesn't like sweets - not even lemon sherbets, which are my favorite! But the truth is, Ahmet really isn't very strange at all. He's a refugee who's run away from a War. A real one. With bombs and fires and bullies that hurt people. And the more I find out about him, the more I want to be his friend. That's where my best friends Josie, Michael and Tom come in. Because you see, together we've come up with a plan. RUNNING TIME ⇒ 5hrs. and 37mins. ©2018 Onjali Q. Raúf (P)2020 Tantor