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Investigaciones de un perro book cover
Investigaciones de un perro
2020
First Published
3.00
Average Rating
33
Number of Pages
Las Investigaciones de un perro carecen de esa tristeza y oscuridad tan distintivas de la obra de Kafka. La narración es, más bien, el documento de una crisis personal y artística. En la primavera de 1922, Kafka le cuenta a su amigo Robert Klopstock en una carta que para "salvarse de lo que se conoce como nervios" había vuelto a escribir. Unos meses después, tuvo que dejar de trabajar debido al estado de su salud. La actividad artística, uno de los temas de más peso en su obra, se instaló en su vida con una doble urgencia tenía el tiempo que siempre quiso para dedicarse a la escritura y, al mismo tiempo, la conciencia –y quizá la certeza– de que no viviría mucho tiempo más. En las Investigaciones, Kafka canaliza esa experiencia en una narración que explora la condición "burguesa" del trabajo y su antinomia, la artística.Múltiples son las lecturas que se han hecho de este relato en clave de parábola e, incluso, de fábula, entre otras. Pero una de ellas merece nuestra atención. La idea central que subyace a la construcción de la historia es en el texto, los perros y, sobre todo, el perro investigador-narrador no conocen la existencia de los humanos. Si uno corrige este punto ciego en su percepción e interpretación de la realidad, los "enigmas de la existencia" que tanto atormentan al narrador se podrían decodificar fá los misteriosos "perros músicos" no son más que animales entrenados de un circo; los inentendibles "perros del aire" son perros toy que sus dueños llevan en brazos; el perro "cazador" es simplemente un perro amaestrado para la caza; el alimento, cuya fuente el narrador investiga con tanto ahínco, es simplemente arrojado a los perros por los humanos.La obra podría resumirse con esta simple analogí perros-humanos = humanos-X. Sin embargo, en Kafka, X no puede ser simplemente equiparado con "Dios". Más bien, X sigue siendo una entidad desconocida que trasciende nuestro potencial cognitivo.
Avg Rating
3.00
Number of Ratings
27
5 STARS
7%
4 STARS
26%
3 STARS
33%
2 STARS
26%
1 STARS
7%
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Author

Franz Kafka
Franz Kafka
Author · 154 books

Prague-born writer Franz Kafka wrote in German, and his stories, such as " The Metamorphosis " (1916), and posthumously published novels, including The Trial (1925), concern troubled individuals in a nightmarishly impersonal world. Jewish middle-class family of this major fiction writer of the 20th century spoke German. People consider his unique body of much incomplete writing, mainly published posthumously, among the most influential in European literature. His stories include "The Metamorphosis" (1912) and " In the Penal Colony " (1914), whereas his posthumous novels include The Trial (1925), The Castle (1926) and Amerika (1927). Despite first language, Kafka also spoke fluent Czech. Later, Kafka acquired some knowledge of the French language and culture from Flaubert, one of his favorite authors. Kafka first studied chemistry at the Charles-Ferdinand University of Prague but after two weeks switched to law. This study offered a range of career possibilities, which pleased his father, and required a longer course of study that gave Kafka time to take classes in German studies and art history. At the university, he joined a student club, named Lese- und Redehalle der Deutschen Studenten, which organized literary events, readings, and other activities. In the end of his first year of studies, he met Max Brod, a close friend of his throughout his life, together with the journalist Felix Weltsch, who also studied law. Kafka obtained the degree of doctor of law on 18 June 1906 and performed an obligatory year of unpaid service as law clerk for the civil and criminal courts. Writing of Kafka attracted little attention before his death. During his lifetime, he published only a few short stories and never finished any of his novels except the very short "The Metamorphosis." Kafka wrote to Max Brod, his friend and literary executor: "Dearest Max, my last request: Everything I leave behind me ... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread." Brod told Kafka that he intended not to honor these wishes, but Kafka, so knowing, nevertheless consequently gave these directions specifically to Brod, who, so reasoning, overrode these wishes. Brod in fact oversaw the publication of most of work of Kafka in his possession; these works quickly began to attract attention and high critical regard. Max Brod encountered significant difficulty in compiling notebooks of Kafka into any chronological order as Kafka started writing in the middle of notebooks, from the last towards the first, et cetera. Kafka wrote all his published works in German except several letters in Czech to Milena Jesenská.

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