
The first of three in a series of Ginsberg’s unpublished travel journals A travel guide through one of the best minds of the Beat Generation—distinctly not destroyed by madness—Allen Ginsberg’s journals are more tour de force than simple diaries, charting his poetry, political antics, and high-profile encounters behind the Iron Curtain at the height of the Cold War. Between jotting first drafts of well-known poems and composing others not seen until now, Ginsberg manages to get himself deported from Cuba—to, of all places, Prague, where he also eventually finds himself unwelcome. Meanwhile, in characteristically colorful fashion, he details his provocations and pranks, his encounters with other poets, curious citizens, and celebrities, and his pointed, often moving observations as he makes his way to Russia (land of his heritage), to Poland and the Warsaw Ghetto, and to Auschwitz. Running foul of the Czech government when he circles back to Prague, he is warned to keep a low profile but is instead crowned the King of May by students who ceremoniously parade him through the city in a flatbed truck. Ginsberg is beaten in the streets, arrested, and deported once again, this time to swinging England, where he arrives just in time to help stage a massive international poetry reading at the Royal Albert Hall. Ginsberg wrote of these experiences as only he could, summoning a time, a political and poetic landscape at once familiar and foreign, and a singular poet who in these pages—whether detailing his travels, describing his meetings with Russian poets, annotating his dreams, or giving graphic accounts of his sexual adventures—speaks with electrifying intelligence and insight across the years and the vagaries of culture.
Author

Long incantatory works and books of known American poet Irwin Allen Ginsberg, a leading figure of the Beat Generation, include Howl (1956) and Kaddish (1961). Naomi Ginsberg bore Irwin Allen Ginsberg, a son, to Louis Ginsberg, a Jewish member of the New York literary counterculture of the 1920s. They reared Ginsberg among several progressive political perspectives. Mental health of Naomi Ginsberg, a nudist, who supported the Communist party, concerned people throughout the childhood of the poet. According to biographer Barry Miles, "Naomi's illness gave Allen an enormous empathy and tolerance for madness, neurosis, and psychosis." As an adolescent, Ginsberg savored Walt Whitman, though in 1939, when Ginsberg graduated high school, he considered Edgar Allan Poe his favorite poet. Eager to follow a childhood hero who had received a scholarship to Columbia University, Ginsberg made a vow that if he got into the school he would devote his life to helping the working class, a cause he took seriously over the course of the next several years. He was admitted to Columbia University, and as a student there in the 1940s, he began close friendships with William S. Burroughs, Neal Cassady, and Jack Kerouac, all of whom later became leading figures of the Beat movement. The group led Ginsberg to a "New Vision," which he defined in his journal: "Since art is merely and ultimately self-expressive, we conclude that the fullest art, the most individual, uninfluenced, unrepressed, uninhibited expression of art is true expression and the true art." Around this time, Ginsberg also had what he referred to as his "Blake vision," an auditory hallucination of William Blake reading his poems "Ah Sunflower," "The Sick Rose," and "Little Girl Lost." Ginsberg noted the occurrence several times as a pivotal moment for him in his comprehension of the universe, affecting fundamental beliefs about his life and his work. While Ginsberg claimed that no drugs were involved, he later stated that he used various drugs in an attempt to recapture the feelings inspired by the vision. In 1954, Ginsberg moved to San Francisco. His mentor, William Carlos Williams, introduced him to key figures in the San Francisco poetry scene, including Kenneth Rexroth. He also met Michael McClure, who handed off the duties of curating a reading for the newly-established "6" Gallery. With the help of Rexroth, the result was "The '6' Gallery Reading" which took place on October 7, 1955. The event has been hailed as the birth of the Beat Generation, in no small part because it was also the first public reading of Ginsberg's "Howl," a poem which garnered world-wide attention for him and the poets he associated with. Shortly after Howl and Other Poems was published in 1956 by City Lights Bookstore, it was banned for obscenity. The work overcame censorship trials, however, and became one of the most widely read poems of the century, translated into more than twenty-two languages. In the 1960s and 70s, Ginsberg studied under gurus and Zen masters. As the leading icon of the Beats, Ginsberg was involved in countless political activities, including protests against the Vietnam War, and he spoke openly about issues that concerned him, such as free speech and gay rights agendas. Ginsberg went on publish numerous collections of poetry, including Kaddish and Other Poems (1961), Planet News (1968), and The Fall of America: Poems of These States (1973), which won the National Book Award. In 1993, Ginsberg received the Chevalier des Arts et des Lettres (the Order of Arts and Letters) from the French Minister of Culture. He also co-founded and directed the Jack Kerouac School of Disembodied Poetics at the Naropa Institute in Colorado. In his later years, Ginsberg became a Distinguished Professor at Brooklyn College. On April 5, 1997, in New York City, he died from complications of hepatitis.