Japanese

Introducing Little Clothbound irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. Celebrating the range and diversity of Penguin Classics, they take us from snowy Japan to springtime Vienna, from haunted New England to a sun-drenched Mediterranean island, and from a game of chess on the ocean to a love story on the moon. Beautifully designed and printed, these collectible editions are bound in colourful, tactile cloth and stamped with foil. Akutagawa was one of the towering figures of modern Japanese literature, and is considered the father of the Japanese short story. This paradigmatic selection, which includes the stories that inspired Akira Kurosawa's 1950 film Rashomon, showcases the terrible beauty, cynicism, sublime pain and absurd humour of his writing. 'One never tires of reading and re-reading his best works. The elegantly spare style has a truly spine-tingling brilliance' - Haruki Murakami

See alternate cover edition here. I am a cat. As yet I have no name. So begins one of the most original and unforgettable works in Japanese literature. Richly allegorical and delightfully readable, I Am a Cat is the chronicle of an unloved, unwanted, wandering kitten who spends all his time observing human nature - from the dramas of businessmen and schoolteachers to the foibles of priests and potentates. From this unique perfective, author Sōseki Natsume offers a biting commentary - shaped by his training in Chinese philosophy - on the social upheaval of the Meiji era. I Am a Cat first appeared in ten installments in the literary magazine Hotoguisu (Cuckoo), between 1905 and 1906. Sōseki had not intended to write more than the short story that makes up the first chapter of this book. After its great critical and popular success, he expanded it into this epic novel, which is universally recognised as a classic of world literature. <>A well-loved work by a Japanese writer of genius - Japan Quarterly

Osamu Dazai's No Longer Human, this leading postwar Japanese writer's second novel, tells the poignant and fascinating story of a young man who is caught between the breakup of the traditions of a northern Japanese aristocratic family and the impact of Western ideas. In consequence, he feels himself "disqualified from being human" (a literal translation of the Japanese title). Donald Keene, who translated this and Dazai's first novel, The Setting Sun, has said of the author's work: "His world … suggests Chekhov or possibly postwar France, … but there is a Japanese sensibility in the choice and presentation of the material. A Dazai novel is at once immediately intelligible in Western terms and quite unlike any Western book." His writing is in some ways reminiscent of Rimbaud, while he himself has often been called a forerunner of Yukio Mishima. Cover painting by Noe Nojechowiz, from the collection of John and Barbara Duncan; design by Gertrude Huston