Celebrated crime novelist Jim Thompson's sinewy, brutal, and beloved novel comes to life in this graphic noir novel! In THE KILLER INSIDE ME, Thompson went where few have dared, giving us a pitch-black glimpse into the evil mind of the American serial killer years before Charles Manson, John Wayne Gacy, and Brett Easton Ellis' American Psycho. Thompson’s novel will forever be known as the masterwork of the greatest crime novelist of all time. Lou Ford is the deputy sheriff of a small unsuspecting Texas town. The worst thing most people can say against him is that he's a little slow and a little boring. But most people don't know about the sickness—the sickness that almost got Lou put away when he was younger—the psychosis that is about to surface again. Introduction by Stephen King.
Author
Librarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information. James Myers Thompson was a United States writer of novels, short stories and screenplays, largely in the hardboiled style of crime fiction. Thompson wrote more than thirty novels, the majority of which were original paperback publications by pulp fiction houses, from the late-1940s through mid-1950s. Despite some positive critical notice, notably by Anthony Boucher in the New York Times, he was little-recognized in his lifetime. Only after death did Thompson's literary stature grow, when in the late 1980s, several novels were re-published in the Black Lizard series of re-discovered crime fiction. Thompson's writing culminated in a few of his best-regarded works: The Killer Inside Me, Savage Night, A Hell of a Woman and Pop. 1280. In these works, Thompson turned the derided pulp genre into literature and art, featuring unreliable narrators, odd structure, and surrealism. The writer R.V. Cassills has suggested that of all pulp fiction, Thompson's was the rawest and most harrowing; that neither Dashiell Hammett nor Raymond Chandler nor even Horace McCoy, author of the bleak They Shoot Horses, Don't They?, ever "wrote a book within miles of Thompson". Similarly, in the introduction to Now and on Earth, Stephen King says he most admires Thompson's work because "The guy was over the top. The guy was absolutely over the top. Big Jim didn't know the meaning of the word stop. There are three brave lets inherent in the forgoing: he let himself see everything, he let himself write it down, then he let himself publish it." Thompson admired Fyodor Dostoevsky and was nicknamed "Dimestore Dostoevsky" by writer Geoffrey O'Brien. Film director Stephen Frears, who directed an adaptation of Thompson's The Grifters as 1990's The Grifters, also identified elements of Greek tragedy in his themes.
