2003
First Published
4.16
Average Rating
656
Number of Pages
A monumental work, expansive in scope, and not only the life, times, and culture of that most famous of the Wobblies (songwriter, poet, hobo, thinker, humorist, martyr), but crucially - and in great detail - the issues that he raised then - capitalism, white supremacy, gender, religion, wilderness, law, prison, industrial unionism - and their enduring relevance, and impact in the century since his death. Collected too is all his art, plus scores of other illustrations featuring Hill-inspired art by IWWs from Ralph Chaplin to Carlos Cortez, as well as other labor artists. "It has been a long time since so much new material on Joe Hill and the Wobblies has been collected in one volume. All students of the IWW, labor cartoons and songs, radical humor, and the history of blue-collar countercultures in the US will find this book indispensable." [Salvatore Salerno] "In Franklin Rosemont, Joe Hill has finally found a chronicler worthy of his revolutionary spirit, sense of humor, and poetic imagination. This is no ordinary biography. It is a journey into the Wobbly culture that made Joe Hill and the capitalist culture that killed him. But as Rosemont suggests in this remarkable book, Joe Hill never really dies. He will live in the minds of young rebels as long as his songs are sung, his ideas are circulated, and his political descendants keep fighting for a better day." [Robin D G Kelley]
Avg Rating
4.16
Number of Ratings
57
5 STARS
49%
4 STARS
23%
3 STARS
23%
2 STARS
5%
1 STARS
0%
goodreads
Author
David R. Roediger
Author · 13 books
David Roediger teaches history and African American Studies at the University of Kansas. He was born in southern Illinois and educated in public schools in that state, with a B.S. in Ed from Northern Illinois University. He completed a doctorate in History at Northwestern in 1979. Roediger has taught labor and Southern history at Northwestern, University of Missouri, University of Minnesota, and University of Illinois. He has also worked as an editor of the Frederick Douglass Papers at Yale University. He has written on U.S. movements for a shorter working day, on labor and poetry, on the history of radicalism, and on the racial identities of white workers and of immigrants. The former chair of the editorial committee of the Charles H. Kerr Company, the world's oldest radical publisher, he has been active in the surrealist movement, labor support and anti-racist organizing.
