Part of Series
THE SECRET OF THE DRAGONS Vetch was an Altan serf working the land which had once been his family's farm. Young and slight, Vetch would have died of overwork, exposure, and starvation if not for the anger which was his only real sustenance—anger that he had lost his home and family in a war of conquest waged by the dragon-riding Jousters of Tia. Tia had usurped nearly halt of Alta's lands and enslaved or killed many of Vetch's countrymen. Sometimes it seemed that his entire cruel fate revolved around dragons and the Jousters who rode them. But his fate changed forever the day he first saw a dragon. From its narrow, golden, large-eyed head, to its pointed emerald ears, to the magnificent blue wings, the dragon was a thing of multicolored, jeweled beauty, slim and supple and quite as large as the shed it perched on. Vetch, almost failed to notice the Jouster who stood beside him. "I need a boy," the rider had said, and suddenly Vetch found himself lifted above the earth and transported by dragon-back to a different world. Vetch was to be trained as a dragon-boy, and he hardly believed his luck. The compound seemed like paradise: he could eat until he was full, and all he had to do was care for his Jouster's dragon, Kashet. It didn't take long for Vetch to realize that Kashet was special—for unlike other dragons, Kashet was gentle by nature and did not need the tranquilizing tala plant to make her tracttable. Vetch became determined to learn the secret of how Kashet had been tamed. For if Kashet could be tamed, perhaps Vetch could tame a dragon of his own. And if he could, then he might be able to escape and bring the secret of dragon-taming back to his homeland of Alta. And that secret, might prove to be the key to Alta's liberation....
Author
Mercedes entered this world on June 24, 1950, in Chicago, had a normal childhood and graduated from Purdue University in 1972. During the late 70's she worked as an artist's model and then went into the computer programming field, ending up with American Airlines in Tulsa, Oklahoma. In addition to her fantasy writing, she has written lyrics for and recorded nearly fifty songs for Firebird Arts & Music, a small recording company specializing in science fiction folk music. "I'm a storyteller; that's what I see as 'my job'. My stories come out of my characters; how those characters would react to the given situation. Maybe that's why I get letters from readers as young as thirteen and as old as sixty-odd. One of the reasons I write song lyrics is because I see songs as a kind of 'story pill' — they reduce a story to the barest essentials or encapsulate a particular crucial moment in time. I frequently will write a lyric when I am attempting to get to the heart of a crucial scene; I find that when I have done so, the scene has become absolutely clear in my mind, and I can write exactly what I wanted to say. Another reason is because of the kind of novels I am writing: that is, fantasy, set in an other-world semi-medieval atmosphere. Music is very important to medieval peoples; bards are the chief newsbringers. When I write the 'folk music' of these peoples, I am enriching my whole world, whether I actually use the song in the text or not. "I began writing out of boredom; I continue out of addiction. I can't 'not' write, and as a result I have no social life! I began writing fantasy because I love it, but I try to construct my fantasy worlds with all the care of a 'high-tech' science fiction writer. I apply the principle of TANSTAAFL ['There ain't no such thing as free lunch', credited to Robert Heinlein) to magic, for instance; in my worlds, magic is paid for, and the cost to the magician is frequently a high one. I try to keep my world as solid and real as possible; people deal with stubborn pumps, bugs in the porridge, and love-lives that refuse to become untangled, right along with invading armies and evil magicians. And I try to make all of my characters, even the 'evil magicians,' something more than flat stereotypes. Even evil magicians get up in the night and look for cookies, sometimes. "I suppose that in everything I write I try to expound the creed I gave my character Diana Tregarde in Burning Water: "There's no such thing as 'one, true way'; the only answers worth having are the ones you find for yourself; leave the world better than you found it. Love, freedom, and the chance to do some good—they're the things worth living and dying for, and if you aren't willing to die for the things worth living for, you might as well turn in your membership in the human race." Also writes as Misty Lackey Author's website
