Left alone for the weekend while her husband and two children are visiting her in-laws, the narrator of Killing Stella recounts the addition of her friend’s daughter, Stella, into their already tense and tumultuous household. Staring out the window at her garden, she worries about the baby bird in the linden tree, about her husband, Richard, who flits from one adulterous affair to an other, about her son’s gloomy demeanor and her daughter’s obliviousness to everything, and, most of all, she worries about Stella, a confused teenager who has just met a sudden and disastrous end. A domestic horror story that builds to an apocalyptic ending, Killing Stella distills many of the themes of Marlen Haushofer’s acclaimed novel The Wall into a claustrophobic, gothic, shattering novella.
Author
Marlen Haushofer was born in Frauenstein, Molln, Austria on April the 11th, 1920. She went to a Catholic gymnasium that was turned in a public school under the Nazi regime. She started her studies on German Language and Literature, in 1940 in Vienna and later on in Graz. She married the dentist Manfred Haushofer in 1941, they divorced in 1950 but reunited in 1957. They had a son together, in addition to the one son she had brought to their “second” marriage. Although Marlen Haushofer won prizes for her work and gained critics laud, she was an almost forgotten author until the Women's Movement rediscovered her, with special attention of the role of women in the male-dominated society themes in her work. Die Wand (The Wall) can be seen as her main-work. It was published 1963, and it's a novel about a woman cut off from society that made her living on her own in the woods. Not only because of the open ending, the novel allows a big variety of interpretations. Marlen Haushofer came down with bone cancer and died on March the 21st 1970, she was only 49 years old.
