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Kıyamet Emeklisi - İkinci Cilt book cover
Kıyamet Emeklisi - İkinci Cilt
2022
First Published
4.04
Average Rating
523
Number of Pages
Bazen de bir rastgele taş öylece bütün kış durur ve baharın bir mor çiçek halkası onu çepçevre ama sadece o taşı bir bordürle çevrelerdi. Taşın beyazı çiçeğin moru ile öyle bir resim verirdi ki, o özenle seçilmiş mor halka o taşı dünyanın kutsal taşlarından biri yapar ve boynundaki çelengi ile bunu öyle bir faş ederdi ki, kuşlar yukardan alçalarak bakar da geçer, saksağanlar, serçeler, küçük kuşlar üzerine birkaç saniyeliğine muhakkak konar, ayak sürer de geçer, kertenkele taşın etrafını dolaşır da geçer, karıncalar sıra olur da geçer, arılar üstünden söyler de geçer, bulut nemini salar da geçer, güneş kışın koyu lekelerini açar da geçer, geçer geçer, taş her ziyaretten haberdar anın içinde durur da geçerdi.
Avg Rating
4.04
Number of Ratings
103
5 STARS
41%
4 STARS
35%
3 STARS
15%
2 STARS
7%
1 STARS
3%
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Author

Şule Gürbüz
Şule Gürbüz
Author · 6 books

She's not a hermit, though in other times she could have been. Her job is not in keeping with the times: she repairs the clocks in the Ottoman palaces. Şule Gürbüz is the only woman in the world to be an expert in mechanical clocks and author of two collections of stories which are small jewels of contemporary Turkish literature: Zamanin Farkinda (Aware of time, 2011) and Coskuyla Olmek (Die enthusiastically, 2012) Aged only eighteen she wrote her first novel, Kambur (The Hunchback, 1992), published at the first attempt by the well-known Iletişim, likewise publishers of her last two works. But, apart from an interval marked by a collection of poetry and a theatrical text, for almost twenty years Şule Gürbüz has remained outside the Turkish literary scene. She studied History of Art in Istanbul and Philosophy in England. On her return she became apprenticed to Recep Gürgen, the last master clock maker in the Imperial Palaces, to then become in her turn a master. Over the years the two of them were able to set working more than 300 clocks, both Turkish and foreign, belonging to the period between the XVI and XIX centuries. For the most part these clocks were recovered from a state of abandon and then put on show in museums which are today housed in the Topkapi and Dolmabahçe Palaces. This path has played a determining role in Gürbüz's writing which reflects on human existence and the sense of life using expressive and ironic language, taking up and giving voice to various themes in the Turkish-Muslim culture.

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