The Good Song (originally La Bonne Chanson) was the third book of poetry written by French poet Paul Verlaine (1844-1896). Originally published in 1870, The Good Songʼs theme is love. More particularly its theme is love for, and anticipation of marriage with, his future child-wife, Mathilde Mauté de Fleurville. It includes all the concomitant feelings one might expect from the poet: love, joy, elation, doubt, fear, nuptial desire or passion, to name only a few. Their romance took place with the Franco-Prussian War in the background. Having appeared during the war, it was according to Victor Hugo “a flower in a shell.” It represented, according to Edmond Lepelletier, a “transformation,” a “change in poetic matter” and “a transition piece... the passage from objective, descriptive, plastic, externalized poetry to personal expression, to a confession of the soul, to the notation of battles of the heart or excitations of the brain.” Included with this translation, in the appendix, is an extant excerpt of chapter VII, “Marriage – The Good Song (1869-1871)” from Edmond Lepelletierʼs “official” biography of Paul Verlaine: Paul Verlaine: His Life, His Work.
Author
Paul-Marie Verlaine was a French poet associated with the Symbolist movement. He is considered one of the greatest representatives of the fin de siècle in international and French poetry. Despite Rimbaud admiring his poetry, these poets had a stormy affair which led to Verlaine's incarceration after shooting Rimbaud. This incident indirectly preceded his re-conversion to Roman Catholicism. Verlaine's last years were particularly marked by alcoholism, drug addiction and poverty. His poems have inspired many composers, such as Chopin, Fauré and Poldowski. Art Poétique describes his decadent style and alludes to the relevance of nuances and veils in poetry.
