
Shy Maggie Verver, a young American heiress, shares an uncommonly close bond with her father. Widower Adam Verver, a financier and art connoisseur, has bought everything he wants, including a titled husband for his daughter. Maggie is charmed by Prince Amerigo, an Italian nobleman of reduced means. Wishing to provide her father with companionship, she persuades him to marry her best friend, Charlotte Stant. But unbeknownst to Maggie and Adam, Charlotte and the Prince are concealing a guilty secret that will strike at the foundations of both marriages. Henry James explores his favorite themes in this novel—money, class, desire, and the collision of European and American cultures. Excerpt: It was not till many days had passed that the Princess began to accept the idea of having done, a little, something she was not always doing, or indeed that of having listened to any inward voice that spoke in a new tone. Yet these instinctive postponements of reflection were the fruit, positively, of recognitions and perceptions already active; of the sense, above all, that she had made, at a particular hour, made by the mere touch of her hand, a difference in the situation so long present to her as practically unattackable. This situation had been occupying, for months and months, the very centre of the garden of her life, but it had reared itself there like some strange, tall tower of ivory, or perhaps rather some wonderful, beautiful, but outlandish pagoda, a structure plated with hard, bright porcelain, coloured and figured and adorned, at the overhanging eaves, with silver bells that tinkled, ever so charmingly, when stirred by chance airs.
Author

Henry James, OM (1843-1916), son of theologian Henry James Sr., brother of the philosopher and psychologist William James and diarist Alice James, was an American-born author, one of the founders and leaders of a school of realism in fiction. He spent much of his life in England and became a British subject shortly before his death. He is primarily known for a series of major novels in which he portrayed the encounter of America with Europe. His plots centered on personal relationships, the proper exercise of power in such relationships, and other moral questions. His method of writing from the point of view of a character within a tale allowed him to explore the phenomena of consciousness and perception, and his style in later works has been compared to impressionist painting. James insisted that writers in Great Britain and America should be allowed the greatest freedom possible in presenting their view of the world, as French authors were. His imaginative use of point of view, interior monologue and unreliable narrators in his own novels and tales brought a new depth and interest to realistic fiction, and foreshadowed the modernist work of the twentieth century. An extraordinarily productive writer, in addition to his voluminous works of fiction he published articles and books of travel writing, biography, autobiography, and criticism,and wrote plays, some of which were performed during his lifetime with moderate success. His theatrical work is thought to have profoundly influenced his later novels and tales.