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Ladies and Gentlemen Vs. Players book cover
Ladies and Gentlemen Vs. Players
2012
First Published
2.82
Average Rating
18
Number of Pages
Quite without meaning it, I really won the Gentlemen v. Players match the summer I was eighteen. They don’t say anything about me in the reports, but all the time I was really the thingummy—the iron hand behind the velvet glove, or something. That’s not it, but it’s something of the sort. What I mean is, if it hadn’t been for me, the Gentlemen would never have won. My cousin Bill admits this. I cut the report of the match out of the Telegraph. The part where I come into it begins like this: ‘… After lunch, however, a complete change comes over the game. A change frequently comes over a game of cricket after lunch, but it is usually to the disadvantage of the batting side. In this case, however, the reverse happened. Up to the interval the Gentlemen, who had gone in to make three hundred and fourteen in the fourth innings of the match, had succeeded in compiling one hundred and ten, losing in the process the valuable wickets of Fry, Jackson, Spooner, and MacLaren. As N. A. Knox, who had been sent in first on the previous evening to play out the twenty minutes that remained before the drawing of stumps, had succumbed to a combination of fading light and one of Hirst’s swervers in the last over on Friday, the Gentlemen, with five wickets in hand, were faced with the task of notching two hundred and four runs in order to secure the victory. At lunchtime the position seemed hopeless. Two hundred and four is not a large score as scores go nowadays; but against this had to be placed the fact that Batkins, the Sussex professional, who had been drafted into the team at the eleventh hour, was scoring the proverbial success which attends eleventh-hour choices. From the press box, indeed, his bowling during the half-dozen overs before lunch appeared literally unplayable. The ball with which he dismissed MacLaren must have come back three inches. The wicket, too, was giving him just that assistance which a fast bowler needs, and he would have been a courageous man who would have asserted that the Gentlemen might even yet make a game of it. Immediately upon the re-start, however, the fortunes of the game veered completely round, Batkins’ deliveries were wild and inaccurate, and the two batsmen, Riddell and James Douglas, speedily took advantage of this slice of luck. So much at home did they become that, scoring at a rapid rate, they remained together till the match was won, the Oxonian making the winning hit shortly before a quarter to six. The crowd, which was one of the largest we have ever seen at a Gentlemen v. Players match, cheered this wonderful performance to the echo. Douglas, the alteration in whose scholastic duties enabled him for the first time to turn out for the Gentlemen, made a number of lovely strokes in the course of his eighty-one. But even his performance was eclipsed by Riddell’s great century. Without giving the semblance of a chance, he hit freely all round the wicket, two huge straight drives off successive balls from Batkins landing among the members’ seats. When next our cousins from “down under” pay us a visit, we shall be surprised if Riddell does not show them …’ The rest is all about what Bill will do when he plays against Australia. Riddell is Bill. He is Aunt Edith’s son, He is at New College, Oxford. Father says he is the best bat Oxford have had since he was up. But if you had seen him at lunch that day, you would never have dreamed of his making a century, or even double figures. If you read what I wrote once about a thing that happened at our cricket week, you will remember who Batkins is. He came down to play for Sir Edward Cave’s place against Much Middleford last year, and got everybody out except father, who made forty-nine not out. And he didn’t get father out because I got my maid Saunders, whom he was in love with, to get him to bowl easy to father so that he could make fifty.
Avg Rating
2.82
Number of Ratings
22
5 STARS
9%
4 STARS
14%
3 STARS
41%
2 STARS
23%
1 STARS
14%
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Author

P.G. Wodehouse
P.G. Wodehouse
Author · 205 books

Sir Pelham Grenville Wodehouse, KBE, was a comic writer who enjoyed enormous popular success during a career of more than seventy years and continues to be widely read over 40 years after his death. Despite the political and social upheavals that occurred during his life, much of which was spent in France and the United States, Wodehouse's main canvas remained that of prewar English upper-class society, reflecting his birth, education, and youthful writing career. An acknowledged master of English prose, Wodehouse has been admired both by contemporaries such as Hilaire Belloc, Evelyn Waugh and Rudyard Kipling and by more recent writers such as Douglas Adams, Salman Rushdie and Terry Pratchett. Sean O'Casey famously called him "English literature's performing flea", a description that Wodehouse used as the title of a collection of his letters to a friend, Bill Townend. Best known today for the Jeeves and Blandings Castle novels and short stories, Wodehouse was also a talented playwright and lyricist who was part author and writer of fifteen plays and of 250 lyrics for some thirty musical comedies. He worked with Cole Porter on the musical Anything Goes (1934) and frequently collaborated with Jerome Kern and Guy Bolton. He wrote the lyrics for the hit song Bill in Kern's Show Boat (1927), wrote the lyrics for the Gershwin/Romberg musical Rosalie (1928), and collaborated with Rudolf Friml on a musical version of The Three Musketeers (1928).

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