Margins
Lady Inger of Ostrat book cover
Lady Inger of Ostrat
1857
First Published
3.36
Average Rating
139
Number of Pages
Henrik Johan Ibsen (1828-1906) was a major Norwegian playwright largely responsible for the rise of modern realistic drama. He is often referred to as the "father of modern drama." His plays were considered scandalous to many of his era. His work examined the realities that lay behind many facades, possessing a revelatory nature that was disquieting to many contemporaries. His first play, the tragedy Catilina (1850), was published under the pseudonym Brynjulf Bjarme, when he was only 22. With success, Ibsen became more confident and began to introduce more and more his own beliefs and judgments into the drama, exploring what he termed the "drama of ideas." His other notable works include Love's Comedy (1862), A Doll's House (1879), Ghosts (1881), An Enemy of the People (1882), The Wild Duck (1884), Hedda Gabler (1890) and When We Dead Awaken (1899).
Avg Rating
3.36
Number of Ratings
109
5 STARS
14%
4 STARS
21%
3 STARS
54%
2 STARS
9%
1 STARS
2%
goodreads

Author

Henrik Ibsen
Henrik Ibsen
Author · 58 books

Henrik Johan Ibsen was a major Norwegian playwright largely responsible for the rise of modern realistic drama. He is often referred to as the "father of modern drama." Ibsen is held to be the greatest of Norwegian authors and one of the most important playwrights of all time, celebrated as a national symbol by Norwegians. His plays were considered scandalous to many of his era, when Victorian values of family life and propriety largely held sway in Europe and any challenge to them was considered immoral and outrageous. Ibsen's work examined the realities that lay behind many facades, possessing a revelatory nature that was disquieting to many contemporaries. Ibsen largely founded the modern stage by introducing a critical eye and free inquiry into the conditions of life and issues of morality. Victorian-era plays were expected to be moral dramas with noble protagonists pitted against darker forces; every drama was expected to result in a morally appropriate conclusion, meaning that goodness was to bring happiness, and immorality pain. Ibsen challenged this notion and the beliefs of his times and shattered the illusions of his audiences.

548 Market St PMB 65688, San Francisco California 94104-5401 USA
© 2025 Paratext Inc. All rights reserved