Dr Wood traces in detail the frequently paradoxical development of themes and situations introduced in the opening chapters and lays stress on the novel's intricate writing. He places the book in its historical, intellectual and biographical context and examines its reception by writers as various as Stendhal, George Eliot, and Tolstoy.

Pound's 800 page Cantos, written over a period of more than fifty years (1917–1969), invites the reader to join the poet on a journey from darkness and despair towards light and positive activity. In this book, George Kearns addresses the reader approaching The Cantos for the first time. He examines the poem's aesthetic and political-ethical-didactic dimensions and shows that despite its complexity and the many objections which can be raised to its poetics and politics, its study can be greatly rewarding.

In Boccaccio's innovative text ten young people leave Florence to escape the Black Death of 1348, and organize their collective life in the countryside through the pleasure and discipline of storytelling. David Wallace guides the reader through their one hundred novelle, which explore both new and familiar conflicts with unprecendented subtlety, urgency and humor: everything from the struggle for domestic space, fought out between individual men and women, to the greater politics of the Mediterranean world where Christian and Arab meet. He emphasizes the relationship between the Decameron and the precocious proto-capitalist culture of Boccaccio's Florence. He also discusses gender issues and the influence of the text, particularly on Chaucer and on the novel.

This book offers a fresh approach to Hardy's novel, highlighting its modern qualities. Dale Kramer reexamines the main characters and investigates Hardy's handling of the plot and the novel's characteristics as a tragedy. He gives special consideration to Tess' search for her identity, and the role of her sexuality in this process. He also discusses the work's rural background, its place in Victorian literature, and its influence and reception.

A comprehensive introduction to Middlemarch, offering both general information and an original interpretation. It pays considerable attention to the intellectual and social context surrounding Middlemarch, and situates the work within nineteenth-century traditions of the novel in England and Europe. Karen Chase gives particular emphasis to the Woman Question in Middlemarch.

Galdos' four-part Fortunata and Jacinta (1886–7), the masterpiece among his almost 80 novels, tells the turbulent story of two women, their husbands and their lovers, set against the intricate web of dynastic alliances and class contrasts of Madrid in the 1870s. In this new critical introduction Professor Turner provides information on the history and social life of the times, and analyzes Galdos' theory of realism, his powerful use of imagery and metaphor to express the reality of social, mental and moral conditions, and the artistic merits of his narrative style. The book contains tables illustrating the complex family relationships fundamental to the structure of the work, and a chronological summary of the plot, as well as a detailed guide to further reading.

This is a lively and readable guide to Alexander Pushkin's novel in verse Eugene Onegin, a landmark of European Romanticism, and arguably the best of all Russian poetry. Professor Briggs addresses the question of how such remarkable poetry can have been composed about a rather banal plot, and considers the form of the work and its poetic techniques in detail. He offers fresh interpretations of the characters and events of the poem, and sets it against its European background. He discusses its influence - notably Tchaikovsky's operatic version - and points to its life-affirming philosophy and spirit of joyfulness. The book includes a chronological chart and a guide to further reading.

In Doktor Faustus, his last major novel, Thomas Mann attempted to interpret and judge Germany's role in European culture and history since the Reformation. In this study, Michael Beddow analyzes the chief historical, theological, psychological and musical themes of this complex work, and considers Mann's indebtedness to the Faust tradition, Nietzsche, and neo-Marxism. He concludes with an account of the novel's generally hostile reception in defeated Germany. The book also includes a chronological table and a guide to further reading.

This introductory study presents Racine's Phèdre as the culmination of French classical tragedy. It situates the play in its historical, literary and theatrical context, shows its relationship with other tragedies of Racine, and sketches its influence on later European literature. It analyzes the structures and language of the play, considers the major characters in action, and explores the ancient classical background and the mythological content. A chronological table of Racine's life and times and a guide to further reading are included.

This concise introduction to Gottfried von Strassburg's Tristan approaches the work both through its context and through a close reading of key passages of the text. The close textual reading builds up a distinctive interpretation of the work, in which particular attention is paid to Gottfried's reworking of literary tradition, his use of religious analogies, and his awareness of the fictive potential of literary language.