The first English collection of the late poetry and prose fragments of literary icon Charles Baudelaire “[A] handsome new book . . . all this inchoate material is given context by Sieburth’s learned, elegantly written commentary. He is the perfect guide.”—Michael Dirda, Washington Post “[These] unfinished works written after 1861 . . . deliver what their titles seem to a soul stripped of guises and illusions.”—Ange Mlinko, New York Review of Books While not as well known as his other works, Charles Baudelaire’s late poems, drafts of poems, and prose fragments are texts indispensable to the history of modern poetics. This volume brings together Baudelaire’s late fragmentary writings, aphoristic in form and radical in thought, into one edited collection for the first time. Substantial introductions to each work by Richard Sieburth combine the literary context with formal analysis and reception history to give readers a comprehensive picture of the genesis of these works and their subsequent fate. Baudelaire’s turn toward fragmentary writing involved not only a conscious renunciation of his aesthetics of perfection and unity, but a desertion of the harmonies of the traditional lyric in favor of the disjunctions of prose. These are daring works, often painful to read in their misanthropy and unconventional beauty.
Author
Charles Pierre Baudelaire was a 19th century French poet, translator, and literary and art critic whose reputation rests primarily on Les Fleurs du Mal; (1857; The Flowers of Evil) which was perhaps the most important and influential poetry collection published in Europe in the 19th century. Similarly, his Petits poèmes en prose (1868; "Little Prose Poems") was the most successful and innovative early experiment in prose poetry of the time. Known for his highly controversial, and often dark poetry, as well as his translation of the tales of Edgar Allan Poe, Baudelaire's life was filled with drama and strife, from financial disaster to being prosecuted for obscenity and blasphemy. Long after his death many look upon his name as representing depravity and vice. Others see him as being the poet of modern civilization, seeming to speak directly to the 20th century.
