
These translations of the major poems of Giacomo Leopardi (1798-1837) render into modern English verse the work of a writer who is widely regarded as the greatest lyric poet in the Italian literary tradition. In spite of this reputation, and in spite of a number of nineteenth-and twentieth-century translations, Leopardi's poems have never "come over" into English in such a way as to guarantee their author a recognition comparable to that of other great European Romantic poets. By catching something of Leopardi's cadences and tonality in a version that still reads as idiomatic modern English (with an occasional Irish or American accent), Leopardi: Selected Poems should win for the Italian poet the wider appreciative audience he deserves. His themes are mutability, landscape, love; his attitude, one of unflinching realism in the face of unavoidable human loss. But the manners of the poems are a unique amalgam of philosophical toughness and the lyrically bittersweet. In a way more pure and distilled than most others in the Western tradition, these poems are truly what Matthew Arnold asked all poetry to be, a "criticism of life." The translator's aim is to convey something of the profundity and something of the sheer poetic achievement of Leopardi's inestimable Canti.
Author

Italian scholar, poet, essayist and philosopher, one of the great writers of the 19th century. Leopardi's love problems inspired some of his saddest lyrics. Despite having lived in a small town, Leopardi was in touch with the main ideas of the Enlightenment movement. His literary evolution turned him into one of the well known Romantic poets. In his late years, when he lived in an ambiguous relationship with his friend Antonio Ranieri on the slopes of Vesuvius, Leopardi meditated upon the possibility of the total destruction of humankind. Leopardi was a contemporary of the German philosopher Arthur Schopenhauer, with whom he shared a similarly pessimistic view of life. The latter praised Leopardi's philosophical thoughts on The World as Will and Representation.