“There are no vacations from love….” In this careful translation from the French novel by Marguerite Duras, five Parisians spend an interminable three days of their vacations at a dreary Italian beach resort. There is nothing to do but talk, drink bitter Camparis, and contemplate (or perhaps consummate) a love affair or two. As the days wear on, they imperceptibly change some of their beliefs, from“For some time I have not liked the idea of changing the world at all costs” to “But certainly it is necessary to change the world,” concluding with “There are no vacations from love….Love, it is necessary to live it completely with its boredom and everything; there are no vacations from that.” Ann Lenore Derrickson, the translator of this novel by French writer Marguerite Duras, has stepped outside her normal scholarly precincts with this book. Up to now, she has worked thoroughly within the canon of English literature, writing and presenting poetry and papers on Shakespeare’s Ophelia, Yeats, Virginia Woolf, and the medieval Gawain poet, among others, at such venues as Comitatus, The National Book of Poetry, The Philological Association of the Pacific Coast, and the Modern Language Association. This scholarly reputation has been fully earned. Born in St. Louis, Missouri, Ann Derrickson earned her B.A. from Harvard University and her M.A. and Ph.D. from the University of California at Berkeley. Now she is moving into working with modern European fiction, a major shift in fields. Asked why she selected this book, she said, "The themes interest me and make it a good work to translate."
Author
Marguerite Duras was born Marguerite Donnadieu on 4 April 1914, in Gia Định, Cochinchina, French Indochina (now Vietnam). Her parents, Marie (née Legrand, 1877-1956) and Henri Donnadieu (1872-1921), were teachers from France who likely had met at Gia Định High School. They had both had previous marriages. Marguerite had two older siblings: Pierre, the eldest, and Paul. Henri Donnadieu fell ill, returned to France, and then died in 1921. Between 1922 and 1924, the surviving family lived in France while her mother was on administrative leave. They then moved back to French Indochina when she was posted to Phnom Penh followed by Vĩnh Long and Sa Đéc. The family struggled financially and her mother made a bad investment in an isolated property and area of rice farmland in Prey Nob,[2] a story which was fictionalized in Un Barrage contre le Pacifique. In 1931, when she was 17, Duras and her family moved to France and she completed her baccalaureate. Duras returned to Saigon again with Paul and her mother in 1932 and completed her second baccalaureate, leaving Pierre in France. In 1933, Duras embarked alone for Paris to study law and mathematics. She soon abandoned this to concentrate on political science.[2] After completing her studies in 1938, she worked for the French government in the Ministry of the Colonies. In 1939, she married the writer Robert Antelme, whom she had met during her studies. During World War II, from 1942 to 1944, Duras worked for the Vichy government in an office that allocated paper quotas to publishers and in the process operated a de facto book-censorship system. She also became an active member of the PCF (the French Communist Party) and a member of the French Resistance as a part of a small group that also included François Mitterrand, who later became President of France and remained a lifelong friend of Duras. In 1943, when publishing her first novel, she began to use the surname Duras, after the town that her father came from, Duras. In 1950, her mother returned to France, wealthy from property investments and from the boarding school she had run. She is the author of a great many novels, plays, films, interviews, and short narratives, including her best-selling, apparently autobiographical work L'Amant (1984), translated into English as The Lover. This text won the Goncourt prize in 1984. The story of her adolescence also appears in three other forms: The Sea Wall, Eden Cinema and The North China Lover. A film version of The Lover, produced by Claude Berri, was released to great success in 1992. Other major works include Moderato Cantabile, also made into a film of the same name, Le Ravissement de Lol V. Stein, and her film India Song. She also wrote the screenplay for the 1959 French film Hiroshima mon amour, which was directed by Alain Resnais. Duras' early novels were fairly conventional in form (their 'romanticism' was criticised by fellow writer Raymond Queneau); however, with Moderato Cantabile she became more experimental, paring down her texts to give ever-increasing importance to what was not said. She was associated with the Nouveau roman French literary movement, although did not definitively belong to any group. Her films are also experimental in form, most eschewing synch sound, using voice over to allude to, rather than tell, a story over images whose relation to what is said may be more-or-less tangential. Marguerite's adult life was somewhat difficult, despite her success as a writer, and she was known for her periods of alcoholism. She died in Paris, aged 82 from throat cancer and is interred in the Cimetière du Montparnasse. Her tomb is marked simply 'MD'. From wikipedia
